Sunday, April 28, 2019

Selfie and Other

Only when the real has slipped away
Can we polish the surface
With such cut and paste of ourselves
The iconic twilights beyond
Become things of the imagination
And the thing that this is about
A disappearing target.

After life comes awe, and then representation,
In The Natural World and All its Peoples
Museum the only dispute now
Is how much lighting.
Painting never recovered
From boiled hooves and halide;
How can our eyes remember to see?

When we reach out to show someone else
Who we are
It disappears,
The possibility
Of communication among the spheres.
The ones who went before never came back up
The hole they dug to find the others.

Tis’ only, they say, the vanity of the age,
How the soul is captured through the fisheye trap
The way the Hopi prophesied …
But who are we to say?
We still don’t know, after a thousand years,
Why every other summer they lay
Live rattlesnakes in their mouths.

Saturday, April 27, 2019

Meditations on Labelled Plants

Poems can be prayers
Sweet Acacia and Prairie Verbena
Frame the birdsong that
Voices all that is
Unsilenced

The Flame Tree seethes
But it’s the Jacaranda that
Spins its leaves
In the tortured artist seeing
Way of things

Wild Mustard hillsides fall away to
Vast mustard 
Stillness
Where a million bobbing heads
Make music invisible

The thistle is high and purple
The cactus inaccessible
Santa Barbara Daisy white
Softens the entire
Crevasse

California Poppies run berserk
As if each cup must hold some
Vital stuff 
Not puncture the landscape with color
That draws the bees like water

Catalina Silver Lace
Octopus Agave
This one’s called the Matilijia Poppy
But everybody knows it as
The Sunnyside Flowering Egg

On a cactus someone carved “I LOVE T”
Not “I LOVE”
There must forever be an object
Like still we’re orphaned in time
In a 1st grade grammar class somewhere

Friday, April 26, 2019

Hymns by Hölderlin: Patmos

for the Landgrave of Homburg

     Near and
Hard to apprehend is God.
But where the danger is, enlarges
Rescue too.
In darkness eagles live
And fearless the sons of the Alps
Disappear over the abyss
As they step off the flimsy bridges.
Thus in piles all around are
The summits of the age, and the loved ones
Who live nearby, to languish on
Most isolated mountains,
So that water gives without blame,
O give us wings, to reach across to
The truest sense, and return there again.

     So I spoke, when faster than
I could imagine, and further
Than I ever thought to go,
I was kidnapped from my home, by my own
Guardian angel. Twilight dawned
As I left the shadows
Of the woods, and the longing
Tributaries of
My country; a land I never knew;
But soon, in dewy luster bloomed
The unrevealed
In golden smoke, breaking through
And quickly burgeoning
With each step of the sun,
Fragrant with a thousand crowns,

     My Asia, that I looked upon
With blinded eye, the one I knew,
Unaccustomed to the boulevards
Down which Pactolus festooned with gold
Drove from Tmolus
With Taurus and Messogis beyond,
And the gardens are full of the silent fire
Of flowers, but the silver snow
Blooms high in the light
And ancient ivy, the dress
Of immortal life grows
On inaccessible walls,
Worn with cedars and laurels by living columns,
The solemn,
The palaces built of the divine.

     It whispers though, at Asia's gates,
To lengthen here and there
Through uncertain depths of sea
The shadowless streets enough,
But the boatmen know the islands.
And since I heard
The nearest one
Was Patmos,
I was quite insistent to tack there
And approach
The darkness of the grotto.
For, unlike Cyprus,
Rich with springs, or
Any other gorgeous
Abode, Patmos is

     The poorer house
But hospitable
Nevertheless
And if you are shipwrecked
Or lament for a home
Or are distanced from friends,
When to her you draw near,
A stranger, she wants to hear, and her children,
The voices in the hot grove,
And the sound of the sand as it falls
And splits apart the surface of the land,
They hear you and they send the sounds of love
To counter the grievances of men. That’s how
The lover of God once used you,
The seer who in blessed youth

     Was risen with                                                                       
The Son of the Most High, inseparable, for
The Storm Bearer loved simplicity,
And the disciple and careful man saw
The countenance of God exactly,
There, at the mysteries of the wine, where
They were, at the hour of the banquet, together,
When the Great Soul declared, with cool resignation,
The death of the Lord as His last act of love, for there’s
Never enough of the kindness
He spoke, even then, as He foresaw, the words
To brighten the wrath of the world.
For all is good. For that He died. Much there would be
To say about that. But he saw it, the victory look
On his happiest Friend, still, to the end,

     Yet they mourned, when now
It had turned to evening, and the great
Resolution the soul of men possessed
Was taken aback, for they loved their life
Under the sun, and did not want to be left
To live away from the face of the Lord
And their home. Called thus
Like irons in a fire, to the shadow side
Of love they went.
That's why He sends them
The Spirit, and however the house
Trembled, and how distant the winds
Of God’s thunder rolled in
Premonitions about their heads, still they pondered
Ponderously, thus the heroes of death were

     Gathered, because He appeared again
After being divided from them.
But the sun has gone out,
And the straight ray of the royal
Scepter snapped, of its own accord,
Expecting the return
Of godly suffering,  
At a suitable age. It would have been faithless
To sever it later, abruptly, the work
Of the people, and it was joy,
From this point on,
To live in the loving night, and preserve,
In simple eyes, the abiding
Abyss of wisdom. And the living tableaux
Of green goes deep into the mountains

     But it’s harrowing, how, here and there,
Endlessly the Living God scatters.
For already the Face has exacted the loss
And abandoned the friends
To go far away across the mountains
Alone, where one like mind
Had twice recognized
Heavenly spirit; but, what wasn’t prophesied,
The lures trapped, this time,
When suddenly, as they
Rushed into the distance,
They looked back at God and swore,
So that like golden cords He would hold them
Bound henceforth
To label evil, where they could reach their hands –

     That is when it dies,
Most of the beauty
Hung on the miraculous form
The heavenly interpreted for you,
And when you’re not able, each an eternal puzzle,
To grasp one another, to live together
In memory, and not just the sand but
The pastures and temples slip through
Your grasp, when the noble model
Of the demigod and his kind
Scatters, and the face of the
Supreme Himself turns,
So that nowhere is there
Anything immortal to see any more in the sky or
On the green earth, what is that?

     It is the throw of the sower, swinging
The trowel, as he gathers the wheat
And crisply delivers it to the threshing floor.
The husks fall before his feet, but
The seed reaches bottom
And it’s not wrong, if something
Lost goes and from speech
Dies away the living sound,
For our work is equal to the divine,
The highest does not want everything.
Even though the shaft bears iron,
And the glowing resins of Aetna,
So would I become rich,
By creating an image of Him, akin to
How he looked, as he was, the Christ,

     But if someone came along
With the spur of sad talk, I would attack,
Because I would be helpless, what astonished me,
And my picture of the god would mock a servant –
Once I saw, the rage was undisguised, the Lord
Of the sky, how I should not want to be something,
But to learn. The kind are the most despised,
It’s true, as long as they rule the false, for
Inside humans the human has vanished.
But it’s immortal destiny, not they, that prevails,
It naturally reshapes the work they do
And hastens it to its end.
The higher way, that is to say, is the more heavenly
Triumph, when the strong will claim the exultant son
Of the highest is equal to the sun,

     A signal, and here is the staff
For the song, a low note,
As nothing is base. The dead wake
In Him, from the still not yet captive
Barbarous. It but waits for the many
Eyes to shy away,
To look to the light. They don’t want to
Thrive on the sharp incandescence,
Even as they hold the golden reins of the brave.
Still, when their eyelids swell
They may forget
The world, and the vibrant, silent
Power of Holy Scripture falls, and they
Rejoice in grace, practice visions
Of silence themselves.

     And if now the heavenly,
As I so believe, love me,
How much more do they
Love you? For this I know,
That the everlasting
Father’s will
Holds scrupulous for you. Silence
Is his symbol in the thunders of the sky. And you stand beneath
Your whole life long. For Christ still lives.
But it's the heroes, His sons,
Who came to explain
The scriptures of Him and the inexorable
Race to this day between the lightning and
The acts upon the earth. He is, however, present. For His works are
His everlasting consciousness of all.

     It's been too long, too long
Invisible, the heavenly glory.
For their fingers almost lead us
And the shame in our hearts
Is wrung violently away.
For every heavenly thing
Wants an offering,
No good comes when one is missed.
We have served the mother earth
And most recently the sunlight,
Unillumined, but the father
Who rules over all
Loves most of all that we cultivate
The binding letter, and interpret well
What exists. To which German song obeys.

------------------------------------------------------------------------------------
Patmos
Dem Landgrafen von Homburg

     Nah ist
Und schwer zu fassen der Gott.
Wo aber Gefahr ist, wächst
Das Rettende auch.
Im Finstern wohnen
Die Adler und furchtlos gehn
Die Söhne der Alpen über den Abgrund weg
Auf leichtgebaueten Brücken.
Drum, da gehäuft sind rings
Die Gipfel der Zeit, und die Liebsten
Nah wohnen, ermattend auf
Getrenntesten Bergen,
So gib unschuldig Wasser,
O Fittige gib uns, treuesten Sinns
Hinüberzugehn und wiederzukehren.

     So sprach ich, da entführte
Mich schneller, denn ich vermutet,
Und weit, wohin ich nimmer
Zu kommen gedacht, ein Genius mich
Vom eigenen Haus. Es dämmerten
Im Zwielicht, da ich ging,
Der schattige Wald
Und die sehnsüchtigen Bäche
Der Heimat; nimmer kannt ich die Länder;
Doch bald, in frischem Glanze,
Geheimnisvoll
Im goldenen Rauche, blühte
Schnellaufgewachsen,
Mit Schritten der Sonne,
Mit tausend Gipfeln duftend,

     Mir Asia auf, und geblendet sucht
Ich eines, das ich kennete, denn ungewohnt
War ich der breiten Gassen, wo herab
Vom Tmolus fährt
Der goldgeschmückte Paktol
Und Taurus stehet und Messogis,
Und voll von Blumen der Garten,
Ein stilles Feuer, aber im Lichte
Blüht hoch der silberne Schnee,
Und Zeug unsterblichen Lebens
An unzugangbaren Wänden
Uralt der Efeu wächst und getragen sind
Von lebenden Säulen, Zedern und Lorbeern,
Die feierlichen,
Die göttlichgebauten Paläste.

     Es rauschen aber um Asias Tore
Hinziehend da und dort
In ungewisser Meeresebene
Der schattenlosen Straßen genug,
Doch kennt die Inseln der Schiffer.
Und da ich hörte,
Der nahegelegenen eine
Sei Patmos,
Verlangte mich sehr,
Dort einzukehren und dort
Der dunkeln Grotte zu nahn.
Denn nicht, wie Cypros,
Die quellenreiche, oder
Der anderen eine
Wohnt herrlich Patmos,

     Gastfreundlich aber ist
Im ärmeren Hause
Sie dennoch
Und wenn vom Schiffbruch oder klagend
Um die Heimat oder
Den abgeschiedenen Freund
Ihr nahet einer
Der Fremden, hört sie es gern, und ihre Kinder,
Die Stimmen des heißen Hains,
Und wo der Sand fällt, und sich spaltet
Des Feldes Fläche, die Laute,
Sie hören ihn und liebend tönt
Es wider von den Klagen des Manns. So pflegte
Sie einst des gottgeliebten,
Des Sehers, der in seliger Jugend war

     Gegangen mit
Dem Sohne des Höchsten, unzertrennlich, denn
Es liebte der Gewittertragende die Einfalt
Des Jüngers und es sahe der achtsame Mann
Das Angesicht des Gottes genau,
Da, beim Geheimnisse des Weinstocks, sie
Zusammensaßen, zu der Stunde des Gastmahls,
Und in der großen Seele, ruhigahnend, den Tod
Aussprach der Herr und die letzte Liebe, denn nie genug
Hatt er von Güte zu sagen
Der Worte, damals, und zu erheitern, da
Ers sahe, das Zürnen der Welt.
Denn alles ist gut. Drauf starb er. Vieles wäre
Zu sagen davon. Und es sahn ihn, wie er siegend blickte,
Den Freudigsten die Freunde noch zuletzt,

     Doch trauerten sie, da nun
Es Abend worden, erstaunt,
Denn Großentschiedenes hatten in der Seele
Die Männer, aber sie liebten unter der Sonne
Das Leben und lassen wollten sie nicht
Vom Angesichte des Herrn
Und der Heimat. Eingetrieben war,
Wie Feuer im Eisen, das, und ihnen ging
Zur Seite der Schatte des Lieben.
Drum sandt er ihnen
Den Geist, und freilich bebte
Das Haus und die Wetter Gottes rollten
Ferndonnernd über
Die ahnenden Häupter, da, schwersinnend,
Versammelt waren die Todeshelden,

     Itzt, da er scheidend
Noch einmal ihnen erschien.
Denn itzt erlosch der Sonne Tag,
Der Königliche, und zerbrach
Den geradestrahlenden,
Den Zepter, göttlichleidend, von selbst,
Denn wiederkommen sollt es,
Zu rechter Zeit. Nicht wär es gut
Gewesen, später, und schroffabbrechend, untreu,
Der Menschen Werk, und Freude war es
Von nun an,
Zu wohnen in liebender Nacht, und bewahren
In einfältigen Augen, unverwandt
Abgründe der Weisheit. Und es grünen
Tief an den Bergen auch lebendige Bilder,

     Doch furchtbar ist, wie da und dort
Unendlich hin zerstreut das Lebende Gott.
Denn schon das Angesicht
Der teuern Freunde zu lassen
Und fernhin über die Berge zu gehn
Allein, wo zweifach
Erkannt, einstimmig
War himmlischer Geist; und nicht geweissagt war es, sondern
Die Locken ergriff es, gegenwärtig,
Wenn ihnen plötzlich
Ferneilend zurück blickte
Der Gott und schwörend,
Damit er halte, wie an Seilen golden
Gebunden hinfort
Das Böse nennend, sie die Hände sich reichten –

     Wenn aber stirbt alsdenn,
An dem am meisten
Die Schönheit hing, daß an der Gestalt
Ein Wunder war und die Himmlischen gedeutet
Auf ihn, und wenn, ein Rätsel ewig füreinander,
Sie sich nicht fassen können
Einander, die zusammenlebten
Im Gedächtnis, und nicht den Sand nur oder
Die Weiden es hinwegnimmt und die Tempel
Ergreift, wenn die Ehre
Des Halbgotts und der Seinen
Verweht und selber sein Angesicht
Der Höchste wendet
Darob, daß nirgend ein
Unsterbliches mehr am Himmel zu sehn ist oder
Auf grüner Erde, was ist dies?

     Es ist der Wurf des Säemanns, wenn er faßt
Mit der Schaufel den Weizen,
Und wirft, dem Klaren zu, ihn schwingend über die Tenne.
Ihm fällt die Schale vor den Füßen, aber
Ans Ende kommet das Korn,
Und nicht ein Übel ists, wenn einiges
Verloren gehet und von der Rede
Verhallet der lebendige Laut,
Denn göttliches Werk auch gleichet dem unsern,
Nicht alles will der Höchste zumal.
Zwar Eisen träget der Schacht,
Und glühende Harze der Aetna,
So hätt ich Reichtum,
Ein Bild zu bilden, und ähnlich
Zu schaun, wie er gewesen, den Christ,

     Wenn aber einer spornte sich selbst,
Und traurig redend, unterweges, da ich wehrlos wäre,
Mich überfiele, daß ich staunt und von dem Gotte
Das Bild nachahmen möcht ein Knecht –
Im Zorne sichtbar sah ich einmal
Des Himmels Herrn, nicht, daß ich sein sollt etwas, sondern
Zu lernen. Gütig sind sie, ihr Verhaßtestes aber ist,
Solange sie herrschen, das Falsche, und es gilt
Dann Menschliches unter Menschen nicht mehr.
Denn sie nicht walten, es waltet aber
Unsterblicher Schicksal und es wandelt ihr Werk
Von selbst, und eilend geht es zu Ende.
Wenn nämlich höher gehet himmlischer
Triumphgang, wird genennet, der Sonne gleich,
Von Starken der frohlockende Sohn des Höchsten,

     Ein Losungszeichen, und hier ist der Stab
Des Gesanges, niederwinkend,
Denn nichts ist gemein. Die Toten wecket
Er auf, die noch gefangen nicht
Vom Rohen sind. Es warten aber
Der scheuen Augen viele,
Zu schauen das Licht. Nicht wollen
Am scharfen Strahle sie blühn,
Wiewohl den Mut der goldene Zaum hält.
Wenn aber, als
Von schwellenden Augenbraunen,
Der Welt vergessen
Stilleuchtende Kraft aus heiliger Schrift fällt, mögen,
Der Gnade sich freuend, sie
Am stillen Blicke sich üben.

     Und wenn die Himmlischen jetzt
So, wie ich glaube, mich lieben,
Wie viel mehr Dich,
Denn Eines weiß ich,
Daß nämlich der Wille
Des ewigen Vaters viel
Dir gilt. Still ist sein Zeichen
Am donnernden Himmel. Und Einer stehet darunter
Sein Leben lang. Denn noch lebt Christus.
Es sind aber die Helden, seine Söhne,
Gekommen all und heilige Schriften
Von ihm und den Blitz erklären
Die Taten der Erde bis itzt,
Ein Wettlauf unaufhaltsam. Er ist aber dabei. Denn seine Werke sind
Ihm alle bewußt von jeher.

     Zu lang, zu lang schon ist
Die Ehre der Himmlischen unsichtbar.
Denn fast die Finger müssen sie
Uns führen und schmählich
Entreißt das Herz uns eine Gewalt.
Denn Opfer will der Himmlischen jedes,
Wenn aber eines versäumt ward,
Nie hat es Gutes gebracht.
Wir haben gedienet der Mutter Erd
Und haben jüngst dem Sonnenlichte gedient,
Unwissend, der Vater aber liebt,
Der über allen waltet,
Am meisten, daß gepfleget werde
Der feste Buchstab, und Bestehendes gut
Gedeutet. Dem folgt deutscher Gesang.

Wednesday, April 24, 2019

The Dream of my Face on the Cover

The beast that follows me,
Does it matter it’s not real?

Or that is chases someone else,
Who I merely pretend to be?

The breath is nevertheless hot
As I’m reminded of all the ways to get caught,

Being a free and thinking being.
There is no place for that here, it seems,

Where pigeons and violets map the clear day
And cellos and acrylics spontaneously play –

What is in us that wants a cage?
To be admired like an impossible pachyderm

In some place I can live,
Where friends can easily find me,

The place that I can always pretend to leave,
The possibilities for escape richer for being confined.

Tuesday, April 23, 2019

Fresh Pagodas on the Lawn

The Buddha has two faces:

One smiles, in silence,
               seemingly
               unaware, definitely
unconcerned
     with the platitudes
            and umbrages
     of thought as it
            blows in the wind
               seemingly
               content to let
    the lime unpeel itself.

The other one too, seems to
               merely watch
     though it cares deeply
            about the suffering
               that must be
               hidden in the clay
                                  of faces
     and the silence that becomes,
            when the hysterics
               and sermonettes
               have ended
     inevitable.

There are two boats on the river:

In one the silence is
            the quiet
               that every
   thing is,

In the other the silence is
            pure grief.

Sunday, April 21, 2019

From Taipei's Morning Mists

We have travelled the vast ocean of sorrow
By ferry, by car, by plane
Like mosquitos make circles in a pond
Back to where they've forgotten
Life is meaningless
Except for the voyage

Saturday, April 20, 2019

The Walk from Secret Beach

Time to leave the ex-pats in mid-complaint
About how meaningless their lives were before,
Time to part from the Germans
Still looking for something to do on the beach,
And turn away from the moon party ravers
Nursing their wounds in the open cafe.

And it's time to say goodbye to the roosters
Who share their sound so happily all night long,
And so long to the screaming cicadas, hysterical mynas,
The silver palms, the green banana leaf rainbows,

Time to bid farewell to every
Palm oil farmer and songthaew driver,
Every temple in every storefront
With a wish to find compassion for all of it,
To remember the innocence in front of the mind

As we slip away invisible,
Barely a passing shadow to those here,
Yet we've left something permanent behind
Amid the swirl of impermanent activity
That extends all the way to the silence of our presence;
It is the same, now everything can turn into dust.

Thursday, April 18, 2019

Evening Prayers

Full moon in Phangan
Sparks from distant storms
Monks chant sunset apologies
That float across the palms
And soon turn to laughter and jazz
As figures walk to shore through black water

Wednesday, April 17, 2019

Elephant by a Pagoda in Ko Samui

There's a cost to having the gentlest soul:
The giants eat through a town like this in seconds,
Uproot the university as if was a banana tree,
Drink down whatever sweetness is left upon the faces,
Rip through the night market to find and devour
The most pungent and succulent fruit
In a blink of a wandering eye --
Cursed with a vehicle that is led to more sensation, 
Incessantly, in a slow, deliberate sway
Guided only by a child's nose for the fresh
To amble in the rose thorn bushes.

Yet with each masticated branch
More arrangements are made by the small -- ever fearful 
And curious -- to separate it from the rest.
The silly giant does not see them though as smaller,
It can't accept the way it is either,
The way the world made it large enough for its soul.
All error pushes against the back of its throat,
That the way it is is how it must be,
For all to be shared equally.
That is how it tries to end the mind that sees
Only an endless swath of destruction ahead,
Which leaves only a heart breaking to love,
Forgiving in advance, forgetting slights instantly,
Knowing there's no wrong, though there is suffering,
The flies that puncture the thickest hide,
The path that always leads away.

Do these graven images suffice,
The dreams of grandeur they represent?
Will they relieve its lumbering misery,
Or make it harder to bear, to be a prophet
Without portfolio, honored without remorse,
Nothing of it understood? Only a stately 
Presence, far away and all-evading,
What can't even be looked away from,
That tells us nothing of clouds or soil.

Yet the lions laugh at the need to make such things known,
For at this very moment, it is welcomed as a God
On the island of the monkeys.

Tuesday, April 16, 2019

At Klong Muang Beach

At sunset
Frogs and Muslims
Intone,
Seemingly vying
But too much alike
In the low surrender
Of their sound ...
Some love they
Enjoy being near
But not having
Except as moans
Can conjure longing.

William Wordsworth Goes to Tamarind Island

These Koh Garos fjords are speechless
Therefore I have no words,
But the river so quietly discourses,
Every moment a new eye of light,
A different reverberation of idea.

The vines of rock that hang below
Echo with the river's glow,
And in their tortured edges
Are the water's kneading hands.

How could this green of mangrove
Open so quickly to ocean?
So the voice always roars about the wilderness
Though it knows nothing of what it is.

Monday, April 15, 2019

Phi Phi Decalcomania

The monoliths rise
Above the glassy waters
Every morning it seems

With messages from the deep
To be paid attention to
Because impossible

They've found a way
To stay upright
In the all-consuming jungle

A certain grace of posture
The offer
Of a shore

With all sacred meaning
Taken care of
For you

You can lay there if you choose
On the beach all day
Try to keep your worries away

The beauty of the cliffs
More or less permanent
Has been supplanted

By the impermanent kind,
Scores of Asian girls
Posing in the waters

Vexing themselves
Into the allure
Of images

To share with the world
In a way the jagged cliff face
Never will

Still, clouds form
Themselves out of
Those shapes

Saturday, April 13, 2019

Songkran in Chiang Mai

The army of monks did their clean-up operation at dusk
And now they sit in the bar by the empty temple
Admiring all the latent violence in the souls that pass them by
Who smile in their sacred duty to fire at will
Their squirt machine guns in the war zone of the streets.
They bring the hose to the perimeter bucket,
Conduct reconnaissance behind the durian carts,
Duck for cover inside the beds of pickup trucks,
Use defensive umbrellas and human shields to reload,
Real art of warfare stuff
Practiced without any restraint or training by children
To vanquish the ghosts of Hollywood fantasy projections
That order the spilling of enemy blood.
There are grandparents too, with the sacred duty
To thoroughly cleanse the soul,
And there are firing squads of ecstatic vacation warriors
With strap-on rainbow uzis that never waste a shot
In street patrols wearing goggles and cabana clothes
Against marauding gangs in jeeps
With bubble guns and pink beach pails
As lawlessness washes over the streets like rain.

Defenseless civilians we are buddhas too,
Born to die again in the fusillade of holiness
That never stops, only takes a different shape,
A different gun pointed to our heads.

A Thingyam Collect

The roofs of Mandalay are silver from the sky,
Blue on the ground,
And what looks from above like rivers
Are the curves where people's lives
Are dropped like feathers on the unforgiving earth,
To catch rides on cattle trucks and motorbikes side saddle
Under bean locust boulevards
Where buddhas dance in stone around the traffic circles,
It's easier when the Buddha has all the gold,
Everyone is saved,
And the monks are sent out in the dusty streets
In linen robes
To hitch their own rides,
Collect rice, carry parasols,
Smoke cigarettes, read newspapers,
Talk on cell phones
Amid the hack and honk,
The top of the head bartering
That goes on even here
Where they sand down Gautama's head
Along Buddha factory row.
The monks carry items in their baskets,
Colorful plastic covered in shrink wrap,
Their own kind of trade.
And further out, in the magic mist of Lake Inle,
Whole families live and trade under the teak bridge
Next to boats untouched by time's implementations
That rest in purple lily fields
Pulsing beneath the duck beaks that nuzzle the mud.
Stray lilies float into the larger veil of water
That tractors and ducks cross farther up together.
Burma lives too, rusted behind razor wire
And on ancient billboards that have long since lost their hold:
The Burma Biscuit Factory,
Apache Cement, Kipling's Ale.
Blue ghost pith helmets hang like buddha marionettes
From the windows of antique shops
Where elephants hang from ceilings
And a banjo is in a display case.

Friday, April 12, 2019

The Red of Bagan

Temples pierce the sky
Wherever the eye can go
Above the grandmother tear beans of mesquite,
And each one has a caretaker to sweep out the dust
And each one has a buddha inside in the middle
With still another variation on compassion.
It's in the flesh here how they stay
Until all of us are enlightened,
Though there are no cemeteries here to keep them
From the next unique incarnation.

These pagodas have withstood the warlords
And the earthquakes, all encroachments of the material
On the things of this impermanent earth
But more importantly they survived the guilt
Of Thumbula who had them built,
And why he did it:
The rage that calls our compassion
Like singing to prayer.

Thursday, April 11, 2019

Lines Written Alone as a Cat in Bagan at 2:33 am with the Overwhelming Scent of Jasmine

Why do I cultivate the beauty of poverty,
The happy to be living only a little hungry
In a thatched hut by the side of the road
While oceans of plastic tears are held at
Mesquite thorn point poverty?
No other kind of beauty can replace it,
For all that is harmonious and green
Must be tossed aside like an empty can of oil
That can't be traded for the companionship
Found in the dusty procession of motors.

Once one surrenders to it, the trees move
As universal marionettes, the useless sand becomes
The shape the books try to approximate,
And there's no need to adjust the view
With a flourish here, a switching of valances there,
For nothing needs to be changed at all,
Despite the heart of compassion that wants
An end to the circle of suffering,
Known otherwise as the circle of life.

Acceptance comes so hard to those who have
Cultivated meaning like so many blinding stones of gold.
Those who truly cultivate nothing
Find a buddha every time in every one of these
Ruined temples time has ripped the meaning away from
To force the beauty of what can't be explained:
Each vehicle an inaccessible story
That reveals all it is as it passes
From the truth that passes understanding.

Wednesday, April 10, 2019

In Mandalay

The pigeons in the golden dome
Crow about the eightfold path
As the small bells on top coo in reply

But the people are too blinded by piety,
They pray at the Buddha's feet silently,
Have children hammer the gongs,
Give service and compassion to everyone
And all they've received back as alms.

It appears the pigeons are not speaking of them
But of the one so blinded by poverty
She accosts the pilgrims desperately to buy her bells --
"I'm mad, I am unhappy, this isn't fair"
She storms, with eyes not hidden
Enough by thenika leaf
To be forgotten.

What a lesson it is to say "no" to that,
Feeling the heart explode
As if it didn't see the suffering
Hidden in the smiles before.

The fighting dogs still talk of it at 3 am,
As if the day will never come again.

Tuesday, April 9, 2019

Lines Written at 2 am in the Afternoon

One shouldn't have to go all the way to Taipei
To learn that language is overrated.

The clover blows in that Chinese way,
Harmonious yet free

And even the streams have an intent of peace
That is hard to fathom, yet easy to contemplate.

Everything here resists my understanding
But I step into its vaprous rule without hesitation.

I wash my face in the spirit of the place,
In surrender to the shared creator.

Maybe there's a word here
That can mean only that.

Sunday, April 7, 2019

The Drive Back from the Airport

Is it spring sun
Or the desert wind
That takes me off the track
To distant memories
Of nothing specific?

As these Sunday parties
After they're done
Are a generalized
Stream of laughter.

What lives inside the moment
-- Only the most ruthless
Prisoners escape.

Saturday, April 6, 2019

That Steady Dial Tone

Another day collapses,
The crickets fill the space,
Answering the silence with silence.

Freedom, it seems, is out there in that sound,
Of no one needing anything,
No reason to take shape,

But something remains
Of what prompted us
To take the axe in our hands --

You'll call it whatever material gains
Or psychological lack you want,
But there's a path across the universe

-- We're already somewhere else.

Friday, April 5, 2019

The New Invisible

If it wasn’t for fake news, I wouldn’t have no news at all,
And there is no news of those
Who have dropped away from the grid
And are thankful every day to be allowed
To do the right thing
And who no longer
Don’t mean to be mean
More than the mean
But can begin to see
The golden mean,
The privilege of service,
For there’s a larger concern now
Than desperation as usual;
It has something to do with loss,
That thing so non-existent
The futile search for it torments
Like an angry sculptor’s fists
Upon their clay
And, judging from the speed
With which the cars peel away
From parking lots on Friday afternoon
It seems forgetting is not the problem,
But there is something
Hanging in the thick spring air
That doesn’t want the wind to arrive
Or the story to end
With whatever disappointment being wholly tricked provides.

Thursday, April 4, 2019

Sestina

They always met on the night of the saxophones,
Catching their shoes along the avenues of blue.
They lacked but a pencil to autograph the contract,
For they both would need a place to hang their suitcase
And a needle that went all the way under their skin,
Or was at least somewhere different than the farm.

How could they know they were listening at the farm
To the same scratchy peal of the saxophones?
For as much as they yearned for a different skin
There was only the sky, and its same shade of blue,
No rescue from the room where they dropped their suitcase
And made love by the sign of the room rate contract –

It was all right there, before they signed the contract
And put themselves out to pasture on their own farm
Like holy animals, and hid the twin suitcase
Next to the gramophone, where the old saxophones
Still secretly played their heartbreaking paeans of blue
While the walls were covered in kisses like moist skin.

Soon PJs covered the blessings of naked skin
And all easy forms of contact became contract-
Ual, and all the sure yesses turned into blue
Refusals, before the cold comfort of the farm
Provoked a cry from the slaves, wailing on saxophones,
And hands that soon groped in the dark for the suitcase …

You know how this tale ends. You’ve carried that suitcase
Trying to get away from the pain of your own skin
And the sound from the distance: insistent saxophones
Who’ll tell you it’s nothing to tear up the contract,
Make omelettes out of the eggshells, bet the farm
On a pair of walking shoes, as relentless blue

Holds you like a newborn baby staring blue
At the distance, the mirror, the old and weary suitcase
That will go with you when you’ve finally bought the farm
Having thrown your old clothes to the road, shed your skin,
Or so you had hoped, when your tears bleared the contract
Fine print, not knowing you’d be left only saxophones

Moaning out the same tired blue of your lust for skin
When the clowns from the farm arrived with their contract
And you opened your suitcase, freed the saxophones.

Wednesday, April 3, 2019

The Erewhon Building, Reflected in the Glass

Perception alone can annihilate, as we know, a world
— Boredom turns forms into tropes —
As one knows everything at birth
And falls into the long forgetting ...

Pretending the barbed wire glitters
And the tumbleweeds are green.

That's that tiny thing, the outside world,
That never really offers truthful hues,
And there's always this rush to make it all seem right
As if we couldn't bear the thought of us
Without our senses shackled

— Oh, but for some, they slip away
Like a vision of a lover to the clouds,
And the only relation is what one can make of it,
Whatever spells dissolving chimeras can cast

To see that thing you'd heard about,
To not hear what you were not given to see

— It's a cold, unblinking window
As you sit beside your hearth
And hear the whispers of the fire
Until you're strong enough within yourself
To look there.

Tuesday, April 2, 2019

A Personal Aside

Sleep is me time
When I can stretch out in
Kirkutsk or Rapa Nui
And perfect verses form themselves
Like leaves inspired by wind.

When I woke I met Hermione
Who's taken care of me my whole life.

Monday, April 1, 2019

At Sounio

In memory of Tina T

She sat on the marble
Gazing at the impossible
Blue Aegean: new worlds, new people --
That's why she had to leave

Where the evenings never seemed to end,
The cup of companionship
Was infinite,
And everything was not only known
But forgiven,
For the face was always Mary's face
With its secret gift of heaven.

Though they never would agree
On anything
There was never any confusion --
What's right is right,
And nothing is wrong.

There are those who know this
And those who don't understand.
She will sew her sails
To reach them.

Sunday, March 31, 2019

Before the Flowers End

Each of these daisies sways to its own,
As every moth finds
An untaken path,
As every unique bee that
Crowds around
Each singular lavender crown
Is absorbed in the sea
Of yellow wave and spindrift butterfly –
Yet the one is the many,
The hanging bamboo
An expression of clover,
The hawksound above
Cries the eucalyptus scar,
The stream runs down the tree trunk
To the pool that holds in shapeshift
The forest,
And the ears of grass suspended overhead
Seem to say what it is
But it hovers on the other side of the chasm,
Where the secret life is only imagined
Through the snake shapes of the rosemary,
The timing of the ducks
As they come and scoot away,
The conceptions of a rhythm
Like pencil lines that stay,
As the bee becomes the ice plant,
The finch becomes the bee,
And a dusty field of flax
Turns butterfly paradise,
A galaxy of coreopsis 
Yet nothing really changes
But the openings to sun,
It’s just one turning thought,
Reflecting and pondering on
As if there’s much that matters
In the things existence makes.
There must be something captured
In the emptiness of mind
Before it is let go –
Fly, white feather, make a destination.
The cactus buds have never been this red.

Saturday, March 30, 2019

Memories of Hospice

Winter seemed so late and long
As the sun bathed the invalids in their wheelchairs,
And even with their eyes halfway open
They could see the angel spheres
Floating in the birdsong,

But it’s a blur,
Those ancient relations,
Those children they were
Reconfigure in the vapor
As the highest common denominator:
Pure love. All distractions are gone,
They are given grass and cushions
And a hillside view to look out on the pale blue
And recover

But they move further
Into dissolving shapes,
The merging of the years
To full-throated colloquium
Of all the words and thoughts
Of all the veiled personas
That seem now like a gibberish of need
Outdated as the manners in a play –

Still they sit transfixed
By the meaninglessness of it all,
How it gains a different valence
When it doesn’t have to fill the hole
The way they thought it had to –
It simply quivers in its width,
Shining in perpetual glee;

A life is something
Even after everything it was melts away –
A privilege of being remains,
For missing all the privileges,
Evading all the meanings,
Repeating all the grades …

There are people that never were
Reminding them why they love them
And how the next time might be crazier,
Though the air now is mild
And whatever happened here
Has disappeared to a pleasant haze.

There's a stirring underground,
Indiscernible,
So it won’t be seen
By the permanent.

Friday, March 29, 2019

Hymns by Hölderlin: The Only One

                              [Third/Final Version]

What is it
About those ancient blessed shores
Holds me so in its thrall
I love her more than my own native land?
For there I am, bent down
As in heavenly captivity, speaking
In a later day, of where the stones say Apollo went,
In the guise of a king,
And to the innocent young themselves,
The sons and daughters Zeus begat and left
Behind, in divine form,
Silent among the people.

Of the highest thoughts, however,
Many still come
From the father's mind, and the great
Souls of people
Come also from him.
And I have heard eternal
Fountains confess, all the way
From Elis and Olympia to Parnassus
And over the mountains of the isthmus
And Smyrna even further away,
And down with
Ephesus I have gone.

I have seen some beautiful things
And I have sung the image of God
That lives within the people.
For the heavenly is,
Like space, abundantly
Measurable by youth, but there’s
One that I’m still looking for,
Among you ancient gods and all you brave
Sons of gods, the last of your lineage,
To love, who saves the jewel of the realm
For me, the foreign guest.

My Master and Lord!
O you, my Teacher!
What have you kept so
Far away? And since
I would see, in the midst of the spirits, the ancients,
The heroes and
The gods, why would you stay
Away? And now mourning
Fills my soul
Even as I strive for you, celestials,
For, if I serve one,
The other is missing.

But the fault, I know, is
My own, because I hang
From you, O Christ, too much,
Although you are Heracles’ brother,
And I bravely confess,
The brother of Dionysus too, the obvious one,
The sullen madman of the ages, possessed,
The earth god, and granted
The soul of a tiger that used to
Roam the earth and subsists on the memory of its hunger,
But right ways he commanded at all times and in all places
As he summons up the possessions of everyone.

It only constrains my shame
To compare you
To worldly men. And of course I know
How I, who conceived you, am the same
As your father. For Christ is alone too,
Standing under visible heaven and stars, freely seen
Ruling, with God’s permission, the put to use
And prevailing over the sins of the world, namely
The incomprehensibility of knowledge, once the permanent
Overwhelms man’s haste – and he gives the stars
Their courage. The world, in other words, is always jubilant
Away from this earth, where it can be
Disclosed; where the human does not hold it. For man has taken
But a trace, but one word. In the place we call

The desert. And they are the same. Full of joy, abundant. The clover
Turns gorgeously green. Callow, for the sake of the spirit, they are
Versed in the lore of a corrupted prayer, indulged by the not said,
That these, like generals to me, are the heroes. Mortals are allowed
To do this because of him, because without a foothold
God has no mind. But just as a pushcart
Submits to pressure,
God appears
From the outside, in each day’s voices,
In nature, indirectly
In holy texts. But the heavenly are
Together always with the people. The great man and the great soul alike
Are equals in heaven

And coveted by the one on earth. Forever
This persists, the world forever chained, the whole of
Life’s days. But so often does it seem
The great ones can’t just go along with
The great. Yet every day they stand, as on a precipice,
Side by side. These three are
Like that under the sun,
As hunters in pursuit, or
A plowman breathing hard from work,
Or a beggar baring his head. Beautiful
And lovely to compare. The earth is
Well done. To cool. But always …

----------------------------------------------------------------------------------
Der Einzige

                                       [Dritte Fassung]

Was ist es, das
An die alten seligen Küsten
Mich fesselt, daß ich mehr noch
Sie liebe, als mein Vaterland?
Denn wie in himmlischer
Gefangenschaft gebückt, dem Tag nach sprechend
Dort bin ich, wo, wie Steine sagen, Apollo ging,
In Königsgestalt,
Und zu unschuldigen Jünglingen sich
Herabließ Zevs, und Söhn in heiliger Art
Und Töchter zeugte
Stumm weilend unter den Menschen.

Der hohen Gedanken aber
Sind dennoch viele
Gekommen aus des Vaters Haupt
Und große Seelen
Von ihm zu Menschen gekommen.
Und gehöret hab ich
Von Elis und Olympia, bin
Gestanden immerdar, an Quellen, auf dem Parnaß
Und über Bergen des Isthmus
Und drüben auch
Bei Smyrna und hinab
Bei Ephesos bin ich gegangen.

Viel hab ich Schönes gesehn
Und gesungen Gottes Bild
Hab ich, das lebet unter
Den Menschen. Denn sehr, dem Raum gleich, ist
Das Himmlische reichlich in
Der Jugend zählbar, aber dennoch,
Ihr alten Götter und all
Ihr tapfern Söhne der Götter,
Noch einen such ich, den
Ich liebe unter euch,
Wo ihr den letzten eures Geschlechts,
Des Hauses Kleinod mir
Dem fremden Gaste bewahret.

Mein Meister und Herr!
O du, mein Lehrer!
Was bist du ferne
Geblieben? und da
Ich sahe, mitten, unter den Geistern, den Alten
Die Helden und
Die Götter, warum bliebest
Du aus? Und jetzt ist voll
Von Traueren meine Seele
Als eifertet, ihr Himmlischen, selbst,
Daß, dien ich einem, mir
Das andere fehlet.

Ich weiß es aber, eigene Schuld
Ists, denn zu sehr,
O Christus! häng ich an dir,
Wiewohl Herakles Bruder
Und kühn bekenn ich, du
Bist Bruder auch des Eviers, der einsichtlich, vor Alters
Die verdrossene Irre gerichtet,
Der Erde Gott, und beschieden
Die Seele dem Tier, das lebend
Vom eigenen Hunger schweift' und der Erde nach ging,
Aber rechte Wege gebot er mit Einem Mal und Orte,
Die Sachen auch bestellt er von jedem.

Es hindert aber eine Scham
Mich, dir zu vergleichen
Die weltlichen Männer. Und freilich weiß
Ich, der dich zeugte, dein Vater ist
Derselbe. Nämlich Christus ist ja auch allein
Gestanden unter sichtbarem Himmel und Gestirn, sichtbar
Freiwaltendem über das Eingesetzte, mit Erlaubnis von Gott,
Und die Sünden der Welt, die Unverständlichkeit
Der Kenntnisse nämlich, wenn Beständiges das Geschäftige überwächst
Der Menschen, und der Mut des Gestirns war ob ihm. Nämlich immer jauchzet die Welt
Hinweg von dieser Erde, daß sie die
Entblößet; wo das Menschliche sie nicht hält. Es bleibet aber eine Spur
Doch eines Wortes; die ein Mann erhaschet. Der Ort war aber

Die Wüste. So sind jene sich gleich. Voll Freuden, reichlich. Herrlich grünet
Ein Kleeblatt. Ungestalt wär, um des Geistes willen, dieses, dürfte von solchen
Nicht sagen, gelehrt im Wissen einer schlechten Gebets, daß sie
Wie Feldherrn mir, Heroen sind. Des dürfen die Sterblichen wegen dem, weil
Ohne Halt verstandlos Gott ist. Aber wie auf Wagen
Demütige mit Gewalt
Des Tages oder
Mit Stimmen erscheinet Gott als
Natur von außen. Mittelbar
In heiligen Schriften. Himmlische sind
Und Menschen auf Erden beieinander die ganze Zeit. Ein großer Mann und ähnlich eine große Seele
Wenn gleich im Himmel

Begehrt zu einem auf Erden. Immerdar
Bleibt dies, daß immergekettet alltag ganz ist
Die Welt. Oft aber scheint
Ein Großer nicht zusammenzutaugen
Zu Großem. Alle Tage stehn die aber, als an einem Abgrund einer
Neben dem andern. Jene drei sind aber
Das, daß sie unter der Sonne
Wie Jäger der Jagd sind oder
Ein Ackersmann, der atmend von der Arbeit
Sein Haupt entblößet, oder Bettler. Schön
Und lieblich ist es zu vergleichen. Wohl tut
Die Erde. Zu kühlen. Immer aber

Thursday, March 28, 2019

The God of Moving Spaces

The windows are trying to tell me something,
Which is clearly more important
Than whatever they have to say.

The evening timber planks 
Were piles of glistening scrap at dawn, 
Despite what people I suppose would claim –

Am I supposed to keep track of what won't stay put? 
Everything will be gone if we look away for a moment,
That’s why there are guards, but they are ever unreliable,

No one ever sees, for one, it’s only what tickles the mind,
Like that red helicopter floating like a dragonfly that,
Depending on its assignment, exists now or does not,

It’s just something I experience, like that parking lot
Full of school buses, that may or may not be filled
With children, who may or may not be trapped.

It’s not my concern if what I’ve imagined can’t be perceived
By others, or whether saving them would disobey
Some non-intervention treaty, and anyway the tumbleweed

The size of a trailer seems suddenly so much more relevant,
Until I see some guy screaming for help and grabbing the arms
Of anyone who comes to do so – he may be singing,

As the orderly claims, or sick in the head, 
As the pills now heading his way conveniently suggest, 
Or he may just be possessed by friendly demons.

There’s no such confusion in his shadow, which looms like Methuselah
In a trick of light, the kind the material world always plays on us,
As if the 99.9% of matter that we can’t see

Can fit comfortably in that giant gray garage. How could it,
In thinking about it, not be true? There are no rules for anything
But the most obvious things, and most of those make no sense at all;

The story unfolds without a moral or a plot – the characters are
Sketched paper thin – but somehow we will ourselves to guess wrong
The next twist, as if thought only turns up more nonsense that can't
     explain

Why I end up alone in the station, and the low sun and polished floors,
Their unintelligible words, makes me as happy as a Labrador Retriever
Feeling the way to my name.

Wednesday, March 27, 2019

The Latest on the Horse Auctions

The illusion of city dissolves
To gray cloud that gives nothing back, like coffee
Served black. The falseness was effervescent,
To watch who I'm not dance with what can't be
As if it's already happened, as in
Selectively remembered stories, themselves lies.

Instead, the shapes form themselves, and move on
Their own with the same disregard that you have
For what holds you down and what pulls you along.
In each face that walks by, though, is a promise
Of something to be known, some uncanny
Experience to make you feel less alone.

It floats in the vapors of the late sun still,
The persistence of nothing. For you offered
Whatever it was that you had to that
As if it was the same, as if it was different,
As if it was something, but that was
The one thing you could never ask of it.

There's too much that is real in the ethereal
Realms, in this slow, heavy town there's only
A train, moving through, and all manner of
Ribbons and stones to jiggle in the sun,
Not to give the doomed here hope, but to share
The unyielding feeling that they've been cheated.

Another city emerges, bathed in white light,
Streets empty enough to walk through the dream
Where one foot in front of the other has meaning
And all that it has -- uniquely -- is available
In the mind, a private Winnebago ...
If what you never could imagine would only exist.

Tuesday, March 26, 2019

Guatemalan Market

He bravely takes a cigarette drag
Amid the hard look of poverty on Alvarado.
They can only buy what can't be sold at the Dollar Store,
But the call has been heard: Wheelchairs for the poor!
Such strange compassion this is.

Saturday, March 23, 2019

The Crawl of Progress

Adrenochrome is so hashtag yawn
And vril bubbles up from the underground
Only to go the way of the suicide squeeze and the 4am memo.
I see an Anonymous mask
Like Melpomene and Thalia
On the back window of an SUV.

Information drops at the same rate
Vibration rises: what we can bear,
And someday we'll say "It's about time"
When they close the cloning centers down,
And we'll put up memorials to the millions killed on Mars,

Even though the factories will never stop
Converting hard-earned truth to rhyming lies
And keeping everything that matters away
As if it was a rabid bear.

But we can ascend with "Welcome to the Jungle"
As readily as with Brahms,
And learn as much from the snickerings of families painted gold
As from the thought forms of blue kachina birds.

Most can only take so much, though,
Before they disappear to wake the sleeping
And never come back.
That's the problem with a world
That enslaves everyone but you.