Evidence on Grand

Roz gave us the Lakers, Dodgers and the Arts
And now this fountain overlook
Where LA's Mingus, on piano, on his birthday, plays
From the loudspeakers for the indigenous,
Which only the cool can someday hope to become;
Those the one-eyed cougars fistbump
Must first be jackal gods.
 
The professor has his bench, wears tweed in spring,
Hears the Tongva Kich songs of multi-generational trauma
But they are all songs, he says, first.
A crow stands on the branch of the 1966 eucalyptus,
Signals it’s safe, which means that it’s real,
Authentic enough to commune at least
As feast.
 
Victory Bus Lines takes a robot lunch delivery
As “AI-driven art” displays itself below the luxury suites
At the Conrad, the Gehry, the Basquiat
While a crosswalk away, a sister sits with an empty
Saucepan on the courthouse stone
Between Elvia Hot Dog and Nayeli’s Fresh Fruit,
Which might as well be barren as the Nile Melaleuca.
 
By Rabbit Coffee, with its Viral Dubai, “Stash it don’t flash it,”
A sign advises. Another: “A clash of dictators and poets” –
I hear them practicing now – hard to get an ear in edgewise
Tuning is so individual – “No access to upper pools.”
Another crow, another fountain, but this time, a soggy roll.
Louie from Storyville sings under the half-staff poles.
The fountain’s sound is triangular.