For Rusty Simpson
I saw the best minds of my generation destroyed by madness, again,
quivering faithless naked,
drugging themselves through the strep throat streets at early light
dawn for a Muhlys peach cobbler fix,
wearing hipster doofus clown shoes burning at the sole
for the starry Domino Sugar sign in the confection of night,
who excessive with poverty and speech sat in slavemaster chairs
smoking second-hand shake in ghost apartments fed by
stolen electricity contemplating bad poems until they vomited,
who fried their minds in the library and saw the look of sanity
in the security guard angel who escorted them back to the street,
who passed by Poe's grave and the birthplace of the Babe on the way
to law school every day with a retainer of cool and a backpack
of rocks,
who were expelled from the academies for the sanity of shooting
hoops with urban youth instead of calling out in class
the professor's fouls,
who souffléd in high dives to give their sloe-eyed artist girlfriends
reprieve from windowless dayjobs in Calvert office towers,
whose connections got busted by the sound of their inhalers
in a farm house in Westminster holding a half a ton of weed,
who smoked formaldehyde with Hell-Beings in old skipper's quarters
or drank the devil's holy waters in St. Casimir's Catholic Church
where the High Polish accents were like Latin,
who looked for dreams and drugs and nightmares and fucks in every
lamppost from Lovegrove to Howard Street,
incomparable alleys of cobblestone and wrought iron the mind leaping
toward poles of barber and vine, the motionless world
where time stopped like a Delta 88 in a soda jerk
fountain with a Sarsparilla Jubilee
so the vampires could taste the lips on the straw, and the spirits
hum in amplifiers across tarbaby roofs guitars
of graveyard Indians unstrung through strung-out fingers
every mad and merry melody ever not allowed to be played
so the ears of those imprisoned could still escape,
who couldn't fantasize away the cinnamon bun epoxy haze
of afternoon except by thinking they were mad
as the translucent light in lun-atic Moonie eyes
or the bum who sang like the Bee Gees going
uh-huh-huh uh-huh-huh at an octave heard by dogs,
who watched the rise and set of neon Chinese restaurant lights
while smoking Old Golds, Chesterfields and other defunct brands
and spent burnt-out afternoons chewed out by Abe Sherman
for reading literature in a newsstand reserved for war,
who talked continuously about the reality of their fantasies,
to save the world or make the film or get the girl or find
the job was all the same as good as done,
a lost platoon of kept and lonely men too good to bathe or change
but not too proud to brag or beg for a nocturnal dope transmission
or an early morning light,
coughing up demon mothers and absent fathers and all the tortures
of growing up spoiled and rotten in a late and god-forsaken
empire of ennui,
remembering every detail of every record, film or TV show
of the last 100 years and what it meant not just to them
but to the world at large that never knew its tragic beauty,
who vanished in day trips of copious Gunpowder bonghits
only to reappear at a barn town pizzeria
slumming like a Long Island celebrity,
who wandered downtown midnights desolate except for the mkultra
bankers preparing the final margin call on the world
by squeezing squeegie kids which nobody saw coming,
who swam with the tortoises in the pools of old estates
to protect the breasts of their Elysium mermaid girlfriends
from the moon,
who fished with the locals at the chromium stacks, and shrieked
with glee as their guinea pigs roamed through their hair,
who walked the cocaine streets where Reagan the great black father
dealt children china white and told us there was no pokey he was
sorry to say only gumby,
who knew the doom would be invisible to even rastafari
revolutionaries trying to get a fix on snowy UHF antennas
for the white preacher special sauce that gave them hope
they'd someday lose a chess game with the world and gain
a quarter for a cup of joe in lieu of a soul,
who heard Baltimore breathe in all its supernatural being
and knew that they were only bearings turning
without a care in the swirl,
who played with nymphs and sprites in the ancient castle ruins
along the Jones Falls Expressway: Chessie, London Fog,
Kirk & Stieff, the Drydock Company,
who gave up promising careers to wear a monocle and cape
and applied for a job as a chimney sweep,
who saw My Fair Lady replayed with Baldymer accents on the
hearse trucks of Arabber horses where Negros all in black
sold flowers,
who shot croquet in row house lawns saying "more Parks sausages
mom" hoping some tabs of acid would make them as mad
as the average lunchpail stiff, who was never mad at all
only angry as hell that the Colts had left town and with them
the jobs,
who cartwheeled the hills of Patterson Park and drank shots of scotch
at the Full Moon Saloon where the gloved piano player
accepted gratefully their half-eaten hoagie,
who found their carnival fun in the Sparrows Pointe of the Mind,
where they first fell in love with pig-iron reality,
where they first fell in love with pig-iron reality,
who knocked down fears at Butts & Bettie's with the Butcher's Hill
knitting widow Lumbee Indian hosts,
who eyed their girlfriends in every Fells Point bar from the Wharf Rat
to Bertha's Mussels, praying they wouldn't be picked up again
by the next loser to claim Jimmy Buffett stole his songs,
who eyed their girlfriends in every Fells Point bar from the Wharf Rat
to Bertha's Mussels, praying they wouldn't be picked up again
by the next loser to claim Jimmy Buffett stole his songs,
who shared stolen tequila in styrofoam cups with British artists
on shore leave while the real ones said "you're so beautiful"
to all the black girls on Light Street,
on shore leave while the real ones said "you're so beautiful"
to all the black girls on Light Street,
who inspired imprisoned dogs to escape by writing instructions
in doves blood ink from Grandma's Candle Shop,
who fed the dead in the form of seagulls still like Jesus in the sky,
wrote graffiti as purdy and purple as the sunrise,
and hitched a ride from a trucker named Grizzly
in the middle of the Fort McHenry tunnel,
who sent out their poems, songs, paintings, photos and prayers
in little paper boats to light up in the toxic phosphorescent night,
who embarrassed the Communist Party by playing the blues too loud
in their HQ on Farmer's Quilting Bee Day,
in doves blood ink from Grandma's Candle Shop,
who fed the dead in the form of seagulls still like Jesus in the sky,
wrote graffiti as purdy and purple as the sunrise,
and hitched a ride from a trucker named Grizzly
in the middle of the Fort McHenry tunnel,
who sent out their poems, songs, paintings, photos and prayers
in little paper boats to light up in the toxic phosphorescent night,
who embarrassed the Communist Party by playing the blues too loud
in their HQ on Farmer's Quilting Bee Day,
who tried to move some of the art from the catacombs underground
to the half-empty galleries uptown but ended up giving it away
to homeless families they met in lieu of food,
to the half-empty galleries uptown but ended up giving it away
to homeless families they met in lieu of food,
who climbed atop the arches over the Maryland Avenue Bridge
this actually happened and walked away still unknown
and forgotten into the winter ghosts of Bolton Hill not even
one night free from spanging,
who populated civilization's sunsets complete with ashen
gargoyle pigeons, perfect London storefronts with only
antique lead inside, byzantine fountains where they talked up
their lust for heroin guitar and called it love,
who consumed baseball statistics in gay laundromats
where lovers worked things out pale porcelain mornings,
who talked about the Rolling Stones in tones once used for Olympians
while eating egg fu yung in an all-night, all-black front
for organized crime in Pen Lucy,
who talked of Shelley to dope dealers, Blake to homeless vets,
and Kierkegaard to crack whores one last dick away from death,
who had to twist the facts to match the truth, and punch up their
anecdotes of shame with doom,
who knew the answer to any confusion is sharing fluids,
who cut through the niggerthick night like a knife on a ripened slab
of cheese at a rat-trap rent party casing every form-
stoned block of the city oblivious to the looks or bricks or shots
or scams that bloomed past every light,
this actually happened and walked away still unknown
and forgotten into the winter ghosts of Bolton Hill not even
one night free from spanging,
who populated civilization's sunsets complete with ashen
gargoyle pigeons, perfect London storefronts with only
antique lead inside, byzantine fountains where they talked up
their lust for heroin guitar and called it love,
who consumed baseball statistics in gay laundromats
where lovers worked things out pale porcelain mornings,
who talked about the Rolling Stones in tones once used for Olympians
while eating egg fu yung in an all-night, all-black front
for organized crime in Pen Lucy,
who talked of Shelley to dope dealers, Blake to homeless vets,
and Kierkegaard to crack whores one last dick away from death,
who had to twist the facts to match the truth, and punch up their
anecdotes of shame with doom,
who knew the answer to any confusion is sharing fluids,
who cut through the niggerthick night like a knife on a ripened slab
of cheese at a rat-trap rent party casing every form-
stoned block of the city oblivious to the looks or bricks or shots
or scams that bloomed past every light,
who counted the red black blue white pink orange grey row homes
in Mondawmen, not a one of them left with windows or doors
just tags from ancient lifetimes in a roaring sunset hearth,
in Mondawmen, not a one of them left with windows or doors
just tags from ancient lifetimes in a roaring sunset hearth,
who squatted in Lauraville and robbed abandoned armories and
declared total war on all art that didn't come from the streets,
declared total war on all art that didn't come from the streets,
who visited the lopsided people of Druid Heights and Locust Point,
touring from Cross Keys to Sandtown with a singular sincerity
of purpose, to catalog the great and neglected countries of the
globe, like Pigtown, Gay Street, Otterbein, Loch Raven, Broening
Manor, Barre Circle, Montebello, Ridgeley's Delight,
who broke bread with the in-bred illbillies of Dickeyville and shared
Thunderbird in the Cherry Hill projects for kicks,
months at a time,
touring from Cross Keys to Sandtown with a singular sincerity
of purpose, to catalog the great and neglected countries of the
globe, like Pigtown, Gay Street, Otterbein, Loch Raven, Broening
Manor, Barre Circle, Montebello, Ridgeley's Delight,
who broke bread with the in-bred illbillies of Dickeyville and shared
Thunderbird in the Cherry Hill projects for kicks,
who believed like Gatsby in the Domino Sugar light, the orgiastic void
that minute by minute year by year distends and releases borne
like a skipjack ceaselessly back to the red, red clay,
that minute by minute year by year distends and releases borne
like a skipjack ceaselessly back to the red, red clay,
who said "tomorrow we will wear new disguises, chase new skirted
chimeras from West Virginia down the bad wolf streets
of Highlandtown, dream of being still, in hell, on a white-
washed stoop before a screen of the most primitive America
imaginable, something commensurate with our desire to
escape the impossible, the impregnable holder of our seed,"
who knew every sailor who ever breezed through the rotting
Ferry Bar ports, from the mermaid-striken, siren-deafened
slave merchant to the boilerman ink-scarred with celluloid
ghosts on tankers dealing in death by chemicals,
pharmaceuticals and chrome,
who worked at a factory that made white,
who kept frogs legs as the only thing in their refrigerators forchimeras from West Virginia down the bad wolf streets
of Highlandtown, dream of being still, in hell, on a white-
washed stoop before a screen of the most primitive America
imaginable, something commensurate with our desire to
escape the impossible, the impregnable holder of our seed,"
who knew every sailor who ever breezed through the rotting
Ferry Bar ports, from the mermaid-striken, siren-deafened
slave merchant to the boilerman ink-scarred with celluloid
ghosts on tankers dealing in death by chemicals,
pharmaceuticals and chrome,
who worked at a factory that made white,
months at a time,
who wove baskets at Sheppard Pratt, where the hushing of their
voices made them insane, where the mad diagnosed the mad
while the real mad ran always free, where the lithium dispensed
wouldn't turn her into a man or make his father come back home,
where they escaped from after finally learning that life itself
was a dream but they couldn't wake up anyway,
who were lobotomized by cocktail talk, electroshocked by party
girls, made comatose waiting for a bus on Greenmount Avenue,
concussed by relentless Baltimore logic from Mosher to
Overlea, and it was all a small price to pay to not have to see
newspapers, magazines, movies or TV,
who despite that wrote unpublishable 200-page letters to the editor
that were more real than a decade's worth of investigative
thought piece editorials in the New York Times,
who gave thanks as they were handed keys to executive rubber
rooms by fairies and told the secrets of post-Einsteinian
physics by trolls,
who lived in an alternative reality where they jammed at CBGBs,
The Blue Note, Leeds, all the finest Vicksburg chicken shacks,
Vienna parlors (on the weekends), only to face the horrors
of having to leave the apartment and go to 7-11
for cigarettes and be exposed to Kenny G,
who drove until the tires blew in El Diablo Texas
when a lonely waif and her siren call beckoned the exiles
of the artificial soul to soap operas on other shores,
who, in pursuit of that girl, moved to Bejing to sell pharmaceuticals,
Venice to learn how a gentleman panhandles, the Deep South
to find a guru, Colorado to get some sunshine honestly,
only to return to the weirdness like a prodigal son, as earlier they'd
come from Boston or Buffalo, DC or the Eastern Shore,
for the peace made here with hopelessness, for the purity
of the squalor, for how divinely indifferent a city of victims
could be, and how comforting it was to embrace the void
with spirits who kept the lights on in what would have
otherwise been cold and unfurnished rooms,
and, now, Rusty, with the last girl escaped from her cage, the last dime
bag handed to the wind in exchange for a glitter-tailed ball,
the last three-days-to-quit notice nailed like all your theses
on your brownstone door, the last makeshift attempt to keep
some old machine in your apartment running like another
coat-hanger dropped to the floor, the last faked painting finally
turned to the wall, and even Bob Marley says he's too old
to play golf witch you no more —
ah, Rusty, as long as you were real, I could believe the ghosts were
angels, munificent with you as their pimp, and the past as our
hope, but the dirt turns to crime as night burns off to grey, and
the real spits you out when you no more believe in it, when
unworthiness stops your dream dead in mid-gleam,
voices made them insane, where the mad diagnosed the mad
while the real mad ran always free, where the lithium dispensed
wouldn't turn her into a man or make his father come back home,
where they escaped from after finally learning that life itself
was a dream but they couldn't wake up anyway,
who were lobotomized by cocktail talk, electroshocked by party
girls, made comatose waiting for a bus on Greenmount Avenue,
concussed by relentless Baltimore logic from Mosher to
Overlea, and it was all a small price to pay to not have to see
newspapers, magazines, movies or TV,
who despite that wrote unpublishable 200-page letters to the editor
that were more real than a decade's worth of investigative
thought piece editorials in the New York Times,
who gave thanks as they were handed keys to executive rubber
rooms by fairies and told the secrets of post-Einsteinian
physics by trolls,
who lived in an alternative reality where they jammed at CBGBs,
The Blue Note, Leeds, all the finest Vicksburg chicken shacks,
Vienna parlors (on the weekends), only to face the horrors
of having to leave the apartment and go to 7-11
for cigarettes and be exposed to Kenny G,
who drove until the tires blew in El Diablo Texas
when a lonely waif and her siren call beckoned the exiles
of the artificial soul to soap operas on other shores,
who, in pursuit of that girl, moved to Bejing to sell pharmaceuticals,
Venice to learn how a gentleman panhandles, the Deep South
to find a guru, Colorado to get some sunshine honestly,
only to return to the weirdness like a prodigal son, as earlier they'd
come from Boston or Buffalo, DC or the Eastern Shore,
for the peace made here with hopelessness, for the purity
of the squalor, for how divinely indifferent a city of victims
could be, and how comforting it was to embrace the void
with spirits who kept the lights on in what would have
otherwise been cold and unfurnished rooms,
and, now, Rusty, with the last girl escaped from her cage, the last dime
bag handed to the wind in exchange for a glitter-tailed ball,
the last three-days-to-quit notice nailed like all your theses
on your brownstone door, the last makeshift attempt to keep
some old machine in your apartment running like another
coat-hanger dropped to the floor, the last faked painting finally
turned to the wall, and even Bob Marley says he's too old
to play golf witch you no more —
ah, Rusty, as long as you were real, I could believe the ghosts were
angels, munificent with you as their pimp, and the past as our
hope, but the dirt turns to crime as night burns off to grey, and
the real spits you out when you no more believe in it, when
unworthiness stops your dream dead in mid-gleam,
but that's just the cold fusion of life formed in reaction, with the
black seed of not-me worn like a diamond to be adored,
and eventually every two-bit Whitman thinks his sampler is immortal,
that the future always knows just how the dissonance will
resolve, but kind hindsight wonders instead why so much energy
was expended, why such need for learning, why could an entire
generation not be children, just now taught how to plant a fig tree
or play an accordion.
black seed of not-me worn like a diamond to be adored,
and eventually every two-bit Whitman thinks his sampler is immortal,
that the future always knows just how the dissonance will
resolve, but kind hindsight wonders instead why so much energy
was expended, why such need for learning, why could an entire
generation not be children, just now taught how to plant a fig tree
or play an accordion.