Enter the ascension feed, modern mystical poetry that branches out weekly as reality bends and the muse goes galactic—original poems and translations you can feel, sing, and return to, no footnotes required.
Wednesday, July 3, 2013
Cabo Incommunicado
Saturday, June 22, 2013
Dual Coast Dawn
— people waking up to find
the food they eat is poisoned,
the words they use a wounding of themselves,
their life support a glitterbox of lies
containing all the facts they call the world
illusion save the love that two can share
out of its frozen words, infallible measures.
The nixie naiads swim like coy
around the rose-infested cub scout house
as one more Portuguese water dog
with gooey eyes that shine a love
that only can be given out of many lives together
is clipped into her school bus seat again.
The strawberry moon bends
like any curvature of light,
a jewel hanging in the gaudy night;
it is we who do all the moving.
Monday, June 17, 2013
Ennui After a Shift
the light not seen,
its total bliss
was always waiting there
for the self to dissolve
in the purity of love
but the thread that
carries with it all I feel
catches on the vagaries
of the blues
in pain and yearning
comforted
for what has long denied
my striving kindness
what is there as
mere perfection now
except inside the mind,
the heart locked
on a phantom
larger than itself,
a small thing lost
in an infinite embrace
from which there's
no returning
Tuesday, June 11, 2013
A Kiss
Meets inextinguishable light
- One light no longer two -
The universal nothingness
Beckons from all sides
And we melt in all our gratitude
Monday, June 10, 2013
On White Oak Street
Sunday, June 9, 2013
Some Clews at the Dog Fair
a taste whose trace can base from wayward glance
a possibility - and then I see a woman
so at one with he - I'll water ski
in South Bay with no other.
Monday, June 3, 2013
Review of Elephant Rocks by Kay Ryan
This is not to say these miniatures aren’t enjoyable – they are, like easily solved algebra equations, which is something in this day of intentionally disconnected circuitry masquerading as poems because they cannot be called anything else but poems. But it all falls apart in the reader’s hand – oh, I think she was talking about that, but maybe it was this, but anyway, life is strange, people are funny, let me read another one like it is lightly salted popcorn. That’s fine for some people, but I get highly annoyed at such a waste of what appears to be genuine poetic talent. There’s no sense in this entire book that there is actually pain and wisdom in human relationships, or that it’s a struggle to find some temporary respite of truth in the strict school marm of the universe, and no possibility that turning ones perceptions inward will bring one closer to God. At least Mary Oliver gives you that. She is really writing about something besides the act of writing, or more precisely, the act of thinking of something to write about.
Still, the overwhelming sense of vacuous preciousness is not what bothers me, nor is it that insidious manner of how carefully for the eye of the common man she has pilfered the public library for philological and historical arcana to sprinkle carefully on top of the poems like so much vitamin-fortified confectionary sugar. No, her art for me is like that card-shuffling trick before the poker game, a show of virtuositic force that almost distracts you from the all-important fact that the game hasn’t even begun. It’s done before the bets are made that can make or break souls, where nothing is certain, clues can deceive but are your only hope, as you boil the water and roll up your sleeves and turn up the lamp to examine the entrails on the table, and instinct will carry you over the abyss every time. To see Kay Ryan in her Emily Dickinson stripped of the tragic tone of witty wonder bring us her musings on intention, measures, chemistry, connections, age, silence, loss, relief, distance, heat and poetry in translation (to randomly cite various titles/themes in this collection) – it’s so thrilling to think we know such things, how clever that these abstractions can be compared to zoo animals, how sharp that the mind can connect all the dots like a born pattern-maker.
But then the bottom drops out. There's nothing even remotely there because even the smallest break through the illusion is too painful to bear. You were suckered again by the need to not have anything to believe in, to be arch and ironic instead of real, and to not ask too much of your mind when it is barely able to hold it together in a world where nothing is as it was only yesterday.
Ryan’s is a trip through the garden of a neat and orderly Victorian gentlewoman, full of good cheer and good manners, but there are no flowers to take with you on your journey home.
Thursday, May 30, 2013
Invitation to a Wedding
because he could recruit two sober witnesses
but she wants a legit hippie wedding this time,
so we got a real Man of God to do the hitching
though he does have "fuck the world" tattooed on his arm
and my best man is crazy, always wears a helmet,
thinks the fire chief is giving him orders,
says "moo cow" after everything you say,
but we'll have shrimp'n'grits and lots of moon pies
and hell ya of course you're invited.
Wednesday, May 29, 2013
The 47 Days in a Mexican Jail Diet Plan
of everywhere
tests how cool you can be
when facing the Antelope Valley
reality:
Diamond Jim’s Casino again,
morning gamblers, no cash
advance ATMs, chewing tobacco
prohibited in the urinals, and a
calming desert pink after you lose all
your Lancaster cash, grass so gray
it’s alien blue.
I don’t even want to step on the cracks
of clay with dirty-ass Jesus feet.
Each shard of trash is perfection.
You can ignore the rickshaws
‘til you get out of town
but the concertina wire
and armed guard towers
seem odd in a casino parking lot.
Officer UPS asks about me and my boy –
“They are strange but harmless.”
“Are you lost?”
Already by this time we’d become a song
played on our car by the unmarked Musical Road:
a clever set of grooves waxed in the warm cement
or part of an elaborating plot to plug us all back in?
It seems there’s only so far we can go into the desert
before we notice something we’re not allowed to see.
The first of the military-alien complex: Edwards Air Force
Base, and the first attempt at a band name:
Savage Messiah.
Then it’s “Welcome to Mohave, Home of Spaceship One,”
which is apparently an Amphicar with a broken window.
We find in Red Rocks Canyon, though, an entrance
to the Portal. How do we break through the holographic
stucco that covers the passage to inner earth?
There’s a temple of stone stacked over the hole,
a carved heart, a smiling face. Rather than run through it
fearless but unprepared, we go up the dripping rocks
in sabertoothed dress shoes instead.
A silence of ears sucking sand. We talk of women
and the rusted soda can we found that had turned
to a friendly face by years-old bullet holes. We break one
Frisbee, and try to follow a crow.
the mountains are lighter than clouds
and desert woman suchness emerges like a mirage or an oasis.
Then a bathtub crank town Randsburg comes
“Hopen for Business.” We stop at the General Store
for hand-mixed Sarsaparilla and a picture of Sacajawea.
Burlap was over the window. The proprietress shook her
tresses, holding back more than she revealed, as she gave
as sassafras the secret ingredient, only available (unlike wintergreen)
to pharmacists. As she spoke the sign above her glowed:
“cows may come, cows may go, but the bull in this place goes on forever.”
Outside, the Surcease Mining Company has set up a ghost town toilet,
“hern” and “hisn” (caked with chisom jizm), and for all your tonsorial
needs, a barber shop: “hot baths, fine cigars.” And Slim’s Place,
with its haunted ceiling, antique beer cans, staring dolls,
a Happy Holidays doormat with a gray Santa Claus, a “yes we have
used dentures” sign, and outside a bone-dry wishful thinking well.
There’s a rainbow-colored Petting Zoo by the desolate highway side.
As we pass Shambhalla China White Dry Weapons Lake
there’s an ordinary mining operation running 24/7,
pay no attention to the boarded quonset huts or the swamp gas pipes
from the green trapezoidal building, or the advanced radar tower
turning in a fenced-in field of no cows. By the raspberry road of Trona,
the Pinnacle Inn is at one end of town,the Nadir Inn at the other.
And nothing living is in between, just the sadness of cactus
growing through the cracks of an old high school basketball court
and a football field without grass, and a dude in full zombie makeup
lurching along the side of the road like a method acting class
gone tragically wrong. It’s hot and cold at the same time,
extreme micro-climates that shift in nanoseconds,
lifeless mountains of straw
then a redonkulous oasis with date palms and elephant ears
Nearing Death Valley you can smell the geology,
remember the aeons locked in rock
sense the quicksand underneath the salt table
and the elusive Chocolate River
Manson attached gas tanks on his car
to find. It’s easy to see
why so much weirdness passes this way;
converting sunshine to water, have the same
In the late afternoon sun you live for, it’s movie time.
remind us we are going to a place beyond death,
The rain on the plain falls mainly on 2 Skidoo.
disguised as “Goldtimers” retreat RVs roll by
head down the washboard road that
The raindrops are gentler
for these intrepid squatting fools,
as we uncorked the resin of our souls
in an air without ghosts
and one word, "Windy,"
for all the sacrificed children.
A crow whirred overhead, directly over me,
so I stayed behind when the others escaped
before the winged monkeys were alerted.
to the sweetest desert,
Despite roadside dignitaries
bullet, 'Whiter Shade of Pale.'"
Tuesday, May 28, 2013
Tuesday, April 30, 2013
Off the Grid
Return with a Purple Heart
The bewitchment begins
Instantaneously,
With turquoise sand,
Those mountains without trees,
Those glassy lakes
Without water,
The quarries uncut
And the rivers of stones,
The patterns beyond any form
Of plant, animal, man -
A logic less simple
That needs nothing.
Nothing I can share
- Everything was left in the sky.
Friday, April 26, 2013
At The Stillpoint Between Earth and Heaven
tries to get me to feel
with beautiful flowers
the work of being worthy
of no boundaries.
So you come.
You love the way your hair sweeps
in the density of air
as I love seeing plants
become vibrations,
yet nothing done alone's
not done together.
We are the glaze we see
upon the pond.
There is no limit
to how light I can become,
how deep you feel
the darkness of the earth.
The churches are but
unimportant spires
that cross the ruined brick
of sunlit towns,
the men and women
chasing other realms.
Your kiss becomes a river
filled with all the scents
I've given you
and every move I make
becomes, in you, a ritual,
an opening of doors
to step away.
I must give nothing up
except my will.
I thought it was some trick
to stop my music
but now I know how rocks
broke in my hand
for other reasons
—the music already existed
it was my heart that needed
to be created
behind Las Vegas curtains
inside heaven,
where I tried to feel
what I am feeling now
but how could I know
the cowgirl on the wall
was really you?
Like I see you now
with your own eyes
on a Melrose fire escape.
"Iglesia?" you say
as if my answer
came before,
as if I've yet to lay
down in that
dark hotel room.
The symbols
are now you,
keys that only turn
when doors were opened,
when watching something else
besides the knob.
And now the cops
have waved us through
'cos we're together
the speed traps and the time
and space continuums,
the things love never needed
but I held on to,
to catch that glint that
brought that scent
that sent that taste
that burned that touch
that now is all of me.
I won't go back to feeling without you.
I might not like how
honors
trail behind me
but without them
there is only
eternity...
Sometimes God's light
upon His dream
is so frivolous,
so full of desire,
we stand there gaping
at the houses and yards
as if they are
no longer real.
We become the
purple
that overcomes
the green.
Wednesday, April 24, 2013
Tears for Sereta
but because your heart is endless that part is easy.
It's how nothing can come in between you has you beat.
Earth Day East of the Hudson
glowing for a moment
before bright mid-April sunshine
makes the slightest hints of green a portal to heaven,
the purple on the floor like Easter mourners
outside the void
of the hollow, blackened-out cathedral.
And spring won't even laugh,
its endless flowing like some rope in children's hands,
turning all that we remembered
leaf by leaf
to something new,
the emptiness of music.
So much that we do, as humans, is indigestable:
our thoughts of predators
are in our water,
our wasted nervous energy
blows through our air,
but somehow, we cannot believe
the earth that always comforts us
cannot release what's stuck.
The fish are coming back
to Antarctica,
the whales are going home because they do not need
to feel our pain any more.
New alphabets are forming,
as always with our hearts to pick out words
from an apple tree that keeps on growing.
Tuesday, April 23, 2013
My Mother Earth News
Heaven is inside my blood.
I no longer need to be carried on celebrity's shoulder.
Monday, April 22, 2013
For Blaine on His Birthday
to the side of roads
where hitchhikers thumb rides
in sight of the federal prison,
to the North Pole, where letters to Santa Claus
are finally addressed by bureaucrats
with threatening notes to children,
to corporate boardrooms where men with paste-on mustaches
demonstrate points by flicking a whip
to dislodge the cigarette from the secretary’s lips,
to wherever there’s a wooden cigar store Indian,
wherever diner bread is broken,
and wherever eggs benny is served.
All this is miraculous enough, but your true gift is in no one noticing
the pianos are missing
from the finest jazz clubs
you’ve squirreled them from
with your invention that no one’s yet seen.
“Dada must be lived,” you always say, by way of explanation, but still
you’re gracious enough to call at your latest dark nyet of the soul,
full of meta-amphetamines and pantomimes
and pound cake and bad coffee about 3 am
when Flo in the Dark, yer all-nite radio dominatrix,
has got you tongue-tied.
Trying to keep it real compared to Watts.
But more often than not, after hearing one of my 25 minute rants
about, say, the lack of cactus East of the Mississippi,
or how I almost took the train to Poughkeepsie on your account,
before I remembered the yellow mustard
on the submarine sandwees,
and I remembered the blue meanies, and was afraid,
you make me feel that every occult detail I’d shared with you
was important enough to avoid any mention of the reality of its truth
except for all your usual, wistful questions:
Have you considered the benefits of a small rabid pet?
Would you happen to know the bridge to Kwai Me a Wiver?
Is a purple spraypainted rat wearing an eyepatch some sort of
omen?
Did I mention the tomatoes were canned?
Well gee boss, why you gotta go an say a thing like that before?
Can I get that with a pigeon pie, some Blackened Alibi, served with
sauteed okra and air of mystery, and ah the Harvey, smoked
rabbit dressed in a nice rich velveteen suit with matching
smoking slippers, served in a black tophat, with a side of half-
eaten fries and an Ethel Merman impersonation?
Did I ever tell you about the time Frank Sinatra saved my life?
Then you’d produce a photo of you and Frankie shaking hands,
and that would be enough.
It would always be enough.
Or I’d complain bitterly about people playing recorders in the wide-open
spaces instead of an honest wood flute,
calling out our favorite squatcher as an example.
You wouldn’t say anything, with your look of concern like this was
the most urgent thing in the whole world,
but a few days on, I’d receive a faded newspaper clipping
– about how sasquatches are strangely attracted to
the sound of a recorder.
Is it one of your hoaxes become real or the real becoming a hoax?
Who knows or cares.
The Dada is alive.
You wear the bowler’s hat befitting your stature
as an entrepreneur of magic
but your eyes do give away a guilty glint
of a certain charlatan charm.
But there was that time we talked reality off the ledge
through deep-fried summer woods
when suddenly,
there were marimbas waiting for us at the side of the trail,
and you would smile
for what I think is the first time,
despite the reporter who immediately appeared to question us,
for here was a theoretical universe that was worthy of you, that you
didn’t have to create
out of pipe cleaners and flasks of ovaltine.
Saturday, April 20, 2013
Lyrics: Borrowed Love
Did the sand really lose any ground?
They left with what they had and nothing more,
There was no answer in that roar of sound.
We borrowed love to serve our purposes
Not knowing it could never be returned.
We watched the surfers walk upon the water
And heard the children sing of other worlds
But never could we put it all together
Through different eyes they seemed to be so plural.
I learned to use your eyes to look at you.
I used to not exist but now I do.
Maybe I will fall in love someday
And feel the moon possess me in its way.
Maybe there’s one star out there to see
That’s clear enough the lover can be me.
I love you more now that you are not real.
I hold you in my heart now that you’re gone.
I need your kiss now that it cannot heal.
I cherish all we shared now I'm alone.
The world is in my hand but I’m not free,
I’d rather give it back than have the right to be.
Friday, April 19, 2013
Trying to Forget My Idea for Vietnamese Baseball and You
In mourning morning fog
when even birds are down below
the cherry trees that flower in the graveyard
call us to salute them
as if they'd die
without our response
not just their beauty.
We do not know, somehow,
this magic show of green
is how it is supposed to be,
there is no time
to end in
as there's no time
when sleeping.
And growing never ends,
the reaching for the one within all life.
At some point we must go there alone.
Thursday, April 18, 2013
Notes While Waiting for the Knock on the Door
Wednesday, April 17, 2013
In Lieu of Dreaming
chilling on metal with German morticians,
filling prescriptions for piety with French pharmacists,
watching Scottish beekeepers argue with elves.
He said things like "drinking coffee is like kissing God"
and "Hungarians really get the importance of a violin to food"
without breaking that beatific smile, which he also kept as he freed
countless people over the course of a long and yellow night
from ancient jails of guilt, remorse and terror.
But morning came, the bars closed again,
the church swept all the prisoners back in,
and before returning to bed for a few precious z's
I saw Jesus again on a bridge in Trieste
with the morning light periwinkle right.
So patient he tried to teach me the secret
of hocking a surgical looger.
Tuesday, April 16, 2013
Because I’m Not Allowed to Talk to Children
in somebody
else’s
face
first.
I want to be
unhappy
like that couple
clinging
desperately
and serve my children
safety in the
endless woods.
Here too far North
for the graffiti
they can make like
there are standards
still
and towns, and I
fall into their spell
so readily—
I cheer for sons
who cannot throw the ball
pull daffodils for daughters
who no longer
tolerate ballet
to get an ice cream cone.
I hear the explanations
—everything that’s lost
from father’s mouth to son,
and see kids in
sharp dominance of voice
because there’s only
so much pride
and adoration
to go around.
But then, amid the ducks
and keening bleachers
I hear some parents talk
of dismal holidays
because the rainbow
canyons
and waterfalls
like emeralds
could not be shared.
Their voices lower as I walk by
and despite the trickling
of the stream, the shush
of distant motors
there’s still some
solitary thing, some
breathing.
Monday, April 15, 2013
The Need to be Watched,
and Reminders I Am
bobbing,
to the birdsong,
interpreting the information
from the rocks
who articulate the water
pulsing
through them
—maybe no more intelligent
than us
but willful, as we are,
who hear
marimbas
in the stream,
but to them...
who have no problem
dissolving in aetherial waves
it's natural to know that birds
are testing out melodies
along electric wavelengths
of the spheres where music is,
and even the paper trees
crackle in the orchestra
and things drop to the moss
and whistle through the leaves
on a score that we can't read
by the rivulets of water like
some Austrian composer
who rides his charges hard
because the sound it makes
is true.
The train
in full human cry
decides then to come through
but it's silent
in the teething of the wind
and all its hidden
being.
I have nothing here;
I'm allowed only eyes.
Squirrels paint
friezes of the trees.
Forsythia cleans
the early evening sun.
What was not there suddenly
is,
the world of skunk cabbage
and daffodils
—enough of a world—
turns
to allow a moment of grace:
everything
is metaphor.
Sunday, April 14, 2013
Thoughts on a Spring Day
would smell just like hyacinths
(with a note of cinnamon)
if you could somehow walk through it.
Why, then, can't I get the scent of flowers out of my phone?
Are they that afraid of our poetry?
I won't settle for less than total sensory communication:
you being able to feel exactly what I smell
out of this smarty-pants device!
Shut NASA down for awhile if you have to,
I need this app to happen.