Wednesday, July 3, 2013

Cabo Incommunicado

The Continually Embarrassing Thing They Call Reality
All the apple trees come with memories,
They’re storytellers,
Like divers and baristas;
Because there’s so little left of us here
We need the dog from the pound
To be a rescue animal,
The couch on the roadside
To be somebody’s home,
Or a mother, we need her to tell us the plot
Of her infant’s “progressive cry-it-out”
To its “baby-directed parenting” climax,
And how urgently he needs to learn sign language
To express his needs, without sunscreen,
Unboiled water, a ring for teething,
A rubber duckie, spoon feeding
Or purees (except for some heavily gar-
Licked humus to be sucked off a carrot
That only he can be permitted to hold).
- A carrot, which was purple once, til the Dutch
With their gene paints treated it orange
- Storytellers.

A Conversation Between Two Ex-Lovers That Can't Take Place
The way the waitresses’ beehive shines
when she says “hon,”
ambrosia stolen from the bees
hoving to her comb
while she drones like a queen
on her drone phone,
giving you the beeswax
how it’s all so funny now har 
with no cash money in the jar 
and she’s up shirk’s creek
without a dipper
from the land of cigars and honey.
And you want her to say
“Do try these qumquats
they’re quite succulent”
so you can say “I’m not paid
to suck on qumquats,
but then again I don’t imagine
you are, either, are you?”
To which she replies “I’m glad to see you 
back in Pasadena fighting shape,
shaking the talcum powder loose
from the deadweight,
phoning in your bets
on three-year-olds
over a steaming plate
of frosted twinkie sandwees.”
“Trouble is my monkey, Ruby.”
“Your money - if that’s what it is –
has a habit of disappearing
like a rabbit through the hands
of some rather nebulous
and it turns out often very late
fellows, a fact that I could take
or throw to the crows
without so much as a snap
of my bra-strap
but you see our friends in blue
can afford to be parsimonious
about such baubles, er, trifles
as what is true.”
“Some people don’t talk
unless a few teeth are loosened.”
“It’s an ugly city to hear some tell it.”
“Say working here must be very much like running
the alligator island at the San Diego Zoo.”
“Somewhere the dog I lost
when I ate my relatives for breakfast
howls in gratitude at the sad desperation
of your new-found compassion.”
“Hey, I’ve taken my ventriloquist act
on the road, and came in only
so’s my dummy can take a pee
but he gets recruited as a last-minute jockey
to replace one who’s been permanently scratched 
so I have to watch helplessly
the slow Del Mar third descend
on Tiny Dancer in a parade of oaty pathos
running rails around a stretch
that is a stretch
in name only.”
“It’s hard not to be phlegmatic
when expecting to see Noah
float by my window.”
“The influenza rain in my case
has turned to sweet-smelling flowers,
and washed away the old scent
of cowpies and the doomed from the urinals,
and except for some smuggled pianos
I no longer turn so quickly down
the Venetian alley blinds
in the behind-the-barkeep green room
at that certain spot of morning light
to catch a glimpse, done up like diorama,
of the honeycombed piñata tomb
of Generalissimo Santa Ana
skewered like pork swords
by miniature candied unicorns
mocking his legendary defeats
like the boulder mocking Sisyphus,
for in Xanadu a pleasure dome
of Pico de Guaco is decreed.”
“Dat were zen dish iz tao.”
“Yeah, but still my scented nights are secreted
on horse-drawn hearses by old thoughts
of how, while you and Ragtime Annie drank
Orange Cosmopolitans with shots of Grand Guignol
looking for Monsters Diogenes and Imonhotep
at Chez Remonstrance (an elongated community),
he buddah’ed the farm for real, din’ he,
with the burn still on the table, I see,
one Dunlop tire iron poor blood kidney
knocking on a lead pipe lock at dawn
in Erewhon with a cricket alarm.”
“Are you eating crab looey
or is it crab rangoober?”
“I’m having Blackened Mock Sisyphus
and a side of Creamed Cornucopia,
subverted for my protection, of course,
like the ancient gods and last week’s sea bass haul,
for you can see the best cowboys all
have elderly fisherman’s eyes.”
“The windows are open but notfurlong
and are taking bets sticky, prickly and unwise
until the pies underneath the fingerprints
are gone from the Clocker’s Corner Sip n Bet display glass.”
“Mead me in Saint Doobie, Ruby,
that’s about as imaginary
as the legendary cigar smoke
you’re blowing surrepfictitiously up my arse,
or the dreams of those poor mare denizens
fingers charcoaled with moustache-pencil grit
and sunken eyes like stripclub regulars.”
“Those stagehands are a step up from carny folk,
you know, they keep it real with a studied look
of utter alienation, from everything that is socially
acceptable and clean. That’s their charm…
They’re storytellers.”

Some Incidental Dialogue
“My Betty got the skinny from your Wilma”
“Totally”
“Epic meme creation brah”
“So new it’s old”
“Some stellar gnar gnar brosef”
“Three bagger got dursted”
“Whatevs”
“I’m not apple blocking your Betty brah”
“So I barneyed over the foamies brah? “
“Don’t be buggin brohah”
“You duding me?”
“I dude you not.”
“I should be duding you right now.”
“Chillax.”
“Consider yourself properly duded.”
“Dude.”
“Dude.”

Meanwhile in Sports News
The Toronto Raptors are thinking of changing their name. It’s such a bad name nobody ever really could be sure they even existed. Maybe it’s time for the Toronto Sasquatches.  Squatches lock it with seconds on the clock. Squatches called for tripping, kicking the ball, banging their limbs together to rally the team. They say the point guard’s superior eyesight is from a diet of inner city wino livers. No squatchflopping rule in effect. Careful with the Croatian caveman slurs and the Basque Neanderthal slurs. Due to the shockingly high number of opposing player deaths since the Squatchers came into the league, the Commissioner has agreed to consider a Commission to recommend changes (or not). He has to be sensitive to charges of speciesism. Chicken wire across the backboards in all away cities. No more night games. No flash photography. A three-day suspension for dismembering limbs. This isn’t an aquatic exposition, the Commissioner says, to have primordial forest cred you have to break a few dinosaur eggs. While opposing teams quietly arm themselves with guns, Sting wearing a Hornets jacket does an Amazonian rain forest theme song (sponsored by Exxon) as the new anthem of the league. The Primordial Forest Division will be the most exciting development in professional sports since the disco strobe light and florescent puck experiment of the NHL. Cornrows and full body tattoos give way to semi-automatic pistols stitched into foreheads, full-body phosphorescent rug fur rigs, steel-toed sneakers and toad (the wet squatchit) venom dreadlock activators. Skins vs. Furs. Cages will be introduced. Dr. Naismith will spin again like a Smith and Wesson in his peach basket grave. At the end of home games with Toronto protecting a lead fans will chant “squatch it squatch it” in an insistent deafening tribal manner. The Commissioner will be outraged there’s any controversy at all. Marv Alpert will start dating primates again. The Commissioner will finally relent and allow stoppage of play for pooling of blood on the floor, and from that point it’s only a short distance til the whole thing is exposed as too craven and nakedly corrupt for even the NBA and the Toronto franchise will be quietly renamed the Biogeneticists, with no record it ever happened except for Sting’s odious theme song. The Squatches will wind up like the Harlem Globetrotters playing exhibition games at circus venues. Against teams like the Iron City Oafs, Duluth Leprechauns and Casper Friendly Ghosts. And of course the poor hapless Washington Generals. Who will have the world’s last bearded lady as their power forward. At halftime there will be a mock (?) wedding ceremony between her and Nez Piercings, the charismatic two guard of the Squatches at center court. Officiated by Key Rock the Unfrozen Cave Man Lawyer (“…Your modern game frightens and confuses me: I don’t know of any Lakes in Los Angeles, or Jazz in Utah, or Grizzlies in Memphis and believe me I would know, there were no Grizzlies in Memphis long before I froze and your scientists thawed me out. I’m a caveman. I don’t know the difference between charging and traveling violations, I can’t even enter the paint without child supervision, but I do know this, that this manbeast and womanbeast should be legitimately married by the state of reciprocation for as long as the icefloes hold back..."). As the crowd sprinkles them with talcum powder, the groom says “I’m not an anomaly I’m a humanoid being.” Player-coach ape-man Dennis Rodman looks on in his wedding dress, beaming (It’s okay to say that, you know, we’re on the “we hunt, you gather” fur but balanced network so everything’s dank). Hey which way’s the main stem cell? Our chemtrail weatherman Hugh Jennix will tell that story but first cue cavemen with tennis sweaters…

Spontaneous Haiku
A book at the nursing home:
Bob Hope: My Lifelong Love Affair with Golf
Where’s my book? My Lifelong Love Affair
With the Dangerous and Criminal Insanity of Bob Hope

Play the Blues
There are no storytellers
Sadder than Muddy Waters.
It’s so wrong he even has to talk.
There’s no show, just weary disillusionment
That no one understands the blues,
Though everyone can see in him
The world of trouble on his heart.
There’s no formula just the art of falling apart
For it always always must be must be real.
You literally can’t touch him.
He points like a king
And barely dances, barely moves,
Perspires without breaking a sweat,
He can’t sing better than any other licorice twister,
Can’t play guitar like no straight church’s business.
The good man is at the wheel
Soothing and provoking, saying only
That nothing is ever really there, just him
 – And you. You want to make him laugh,
This tragic, mud-bedappled titan,
And he seems almost pleased you would do that for him
But the thought doesn’t last, as the emperor
Of ice cream has to say “turn your lamp down low”
One more time way too many, the cold and bright
Diamond who shows the night’s dark
Without ever getting in the way.
And it’s somehow reassuring that he’s got enough pain
For everyone, he’s got nothing to prove
And nothing to say – he makes it triumphant
And we look at him with awe, at how he turns just so
The joint at the end of each perfectly delivered line,
With no ash, no soggy pants, just the seriousness
That you need to know how it is – on the muddy
Waters of oblivion sinking without jettisoning
His pride to the reverb of the reivers.

Hove on, big river, hove on.

Saturday, June 22, 2013

Dual Coast Dawn

Things have changed so quickly
— people waking up to find
the food they eat is poisoned,
the words they use a wounding of themselves,
their life support a glitterbox of lies
containing all the facts they call the world
illusion save the love that two can share
out of its frozen words, infallible measures.

The nixie naiads swim like coy
around the rose-infested cub scout house
as one more Portuguese water dog
with gooey eyes that shine a love
that only can be given out of many lives together
is clipped into her school bus seat again.

The strawberry moon bends
like any curvature of light,
a jewel hanging in the gaudy night;
it is we who do all the moving.

Monday, June 17, 2013

Ennui After a Shift

The rose it opens
the light not seen,
its total bliss
was always waiting there
for the self to dissolve
in the purity of love

but the thread that
carries with it all I feel
catches on the vagaries
of the blues
in pain and yearning
comforted
for what has long denied
my striving kindness

what is there as
mere perfection now
except inside the mind,
the heart locked
on a phantom
larger than itself,
a small thing lost
in an infinite embrace
from which there's
no returning

Tuesday, June 11, 2013

A Kiss

Inextinguishable light
Meets inextinguishable light
- One light no longer two -
The universal nothingness
Beckons from all sides
And we melt in all our gratitude

Monday, June 10, 2013

On White Oak Street

Four Yorba Linda llamas
                Walk by the avenue
On the way to Poway
                On the way to Poway
Something different’s come to town
                Something different that’s brand new
Hear the tealids ring today
                Hear the tealids ring today

The girl will hit the lower notes
                The boy will want flute played
On the way to Poway
                On the way to Poway
A heart as large now as a house
                At watch from far away
Hear the tealids ring today
                Hear the tealids ring today

Soon the fairy garden
                Will burst out into bloom
On the way to Poway
                On the way to Poway
Soon the violin
                Will sing a happy tune
Hear the tealids ring today
                Hear the tealids ring today

The hens will lay new eggs of love
                The bunnies thump with glee
On the way to Poway
                On the way to Poway
The dolphins will go dancing
                At the entrance to the sea
Hear the tealids ring today
                Hear the tealids ring today

The sun and moon will each take turns
                Shining down with love
On the way to Poway
                On the way to Poway
At laughter never ending
                That warms the sky above
Hear the tealids ring today
                Hear the tealids ring today

Soon the crows will meet again
                When the nectarines turn red
On the way to Poway
                On the way to Poway
Pure heart faith has won its dream
                For the May Faire wove its thread
Hear the tealids ring today
                Hear the tealids ring today

The gnomes can rest their feet at last
                The guardians rejoice
On the way to Poway
                On the way to Poway
The crystals hum in perfect love
                With one earthheaven voice
Hear the tealids ring today
                Hear the tealids ring today

Sunday, June 9, 2013

Some Clews at the Dog Fair

I'm nothing but a pretty face, a sense of place,
a taste whose trace can base from wayward glance
a possibility - and then I see a woman
so at one with he - I'll water ski
in South Bay with no other.

Monday, June 3, 2013

Review of Elephant Rocks by Kay Ryan

Some poets give you nothing and it’s everything. Other poets give you everything and it’s nothing. Kay Ryan is one of those latter poets. Zany and nonsensical metaphors build and build in a pleasing but predictable rhythm, cloyingly rhymed and flat as a pancake, until they seem to whip up into something strange, and signify something deep about humanity, the earth, even, gasp, God, but since they risk nothing and aren’t really about anything other than perhaps the metaphors themselves and the way they attack the mind’s pleasure centers, they leave the reader with nothing but the feeling they are safe in whatever illusions they came in with.

This is not to say these miniatures aren’t enjoyable – they are, like easily solved algebra equations, which is something in this day of intentionally disconnected circuitry masquerading as poems because they cannot be called anything else but poems. But it all falls apart in the reader’s hand – oh, I think she was talking about that, but maybe it was this, but anyway, life is strange, people are funny, let me read another one like it is lightly salted popcorn. That’s fine for some people, but I get highly annoyed at such a waste of what appears to be genuine poetic talent. There’s no sense in this entire book that there is actually pain and wisdom in human relationships, or that it’s a struggle to find some temporary respite of truth in the strict school marm of the universe, and no possibility that turning ones perceptions inward will bring one closer to God. At least Mary Oliver gives you that. She is really writing about something besides the act of writing, or more precisely, the act of thinking of something to write about.

Still, the overwhelming sense of vacuous preciousness is not what bothers me, nor is it that insidious manner of how carefully for the eye of the common man she has pilfered the public library for philological and historical arcana to sprinkle carefully on top of the poems like so much vitamin-fortified confectionary sugar. No, her art for me is like that card-shuffling trick before the poker game, a show of virtuositic force that almost distracts you from the all-important fact that the game hasn’t even begun. It’s done before the bets are made that can make or break souls, where nothing is certain, clues can deceive but are your only hope, as you boil the water and roll up your sleeves and turn up the lamp to examine the entrails on the table, and instinct will carry you over the abyss every time. To see Kay Ryan in her Emily Dickinson stripped of the tragic tone of witty wonder bring us her musings on intention, measures, chemistry, connections, age, silence, loss, relief, distance, heat and poetry in translation (to randomly cite various titles/themes in this collection) – it’s so thrilling to think we know such things, how clever that these abstractions can be compared to zoo animals, how sharp that the mind can connect all the dots like a born pattern-maker.

But then the bottom drops out. There's nothing even remotely there because even the smallest break through the illusion is too painful to bear. You were suckered again by the need to not have anything to believe in, to be arch and ironic instead of real, and to not ask too much of your mind when it is barely able to hold it together in a world where nothing is as it was only yesterday.

Ryan’s is a trip through the garden of a neat and orderly Victorian gentlewoman, full of good cheer and good manners, but there are no flowers to take with you on your journey home.

Thursday, May 30, 2013

Invitation to a Wedding

We were married on the street by some homeless dude
because he could recruit two sober witnesses
but she wants a legit hippie wedding this time,
so we got a real Man of God to do the hitching
though he does have "fuck the world" tattooed on his arm
and my best man is crazy, always wears a helmet,
thinks the fire chief is giving him orders,
says "moo cow" after everything you say,
but we'll have shrimp'n'grits and lots of moon pies
and hell ya of course you're invited.

Wednesday, May 29, 2013

The 47 Days in a Mexican Jail Diet Plan

Six days on the road with Russell, Blaine, Jesse and Robert

The cloud chakra on the outskirts
of everywhere
tests how cool you can be
when facing the Antelope Valley
reality:
Diamond Jim’s Casino again,
morning gamblers, no cash
advance ATMs, chewing tobacco
prohibited in the urinals, and a
calming desert pink after you lose all
your Lancaster cash, grass so gray
it’s alien blue.
I don’t even want to step on the cracks
of clay with dirty-ass Jesus feet.
Each shard of trash is perfection.
You can ignore the rickshaws
‘til you get out of town
but the concertina wire
and armed guard towers
seem odd in a casino parking lot.
Officer UPS asks about me and my boy –
“They are strange but harmless.”
“Are you lost?”
Already by this time we’d become a song
played on our car by the unmarked Musical Road:
a clever set of grooves waxed in the warm cement
or part of an elaborating plot to plug us all back in?
It seems there’s only so far we can go into the desert
before we notice something we’re not allowed to see.
The first of the military-alien complex: Edwards Air Force
Base, and the first attempt at a band name:
Savage Messiah.

Then it’s “Welcome to Mohave, Home of Spaceship One,”
which is apparently an Amphicar with a broken window.
We find in Red Rocks Canyon, though, an entrance
to the Portal. How do we break through the holographic
stucco that covers the passage to inner earth?
There’s a temple of stone stacked over the hole,
a carved heart, a smiling face. Rather than run through it
fearless but unprepared, we go up the dripping rocks
in sabertoothed dress shoes instead.
A silence of ears sucking sand. We talk of women
and the rusted soda can we found that had turned
to a friendly face by years-old bullet holes. We break one
Frisbee, and try to follow a crow.

Back on Neuralia Road (“dips next 90 miles”)
the mountains are lighter than clouds
and desert woman suchness emerges like a mirage or an oasis.
Then a bathtub crank town Randsburg comes
“Hopen for Business.” We stop at the General Store
for hand-mixed Sarsaparilla and a picture of Sacajawea.
Burlap was over the window. The proprietress shook her
tresses, holding back more than she revealed, as she gave
as sassafras the secret ingredient, only available (unlike wintergreen)
to pharmacists. As she spoke the sign above her glowed:
“cows may come, cows may go, but the bull in this place goes on forever.”
Outside, the Surcease Mining Company has set up a ghost town toilet,
“hern” and “hisn” (caked with chisom jizm), and for all your tonsorial
needs, a barber shop: “hot baths, fine cigars.” And Slim’s Place,
with its haunted ceiling, antique beer cans, staring dolls,
a Happy Holidays doormat with a gray Santa Claus, a “yes we have
used dentures” sign, and outside a bone-dry wishful thinking well.

It’s creosote weather. We’re growing food in our car as we travel.
There’s a rainbow-colored Petting Zoo by the desolate highway side.
As we pass Shambhalla China White Dry Weapons Lake
there’s an ordinary mining operation running 24/7,
pay no attention to the boarded quonset huts or the swamp gas pipes
from the green trapezoidal building, or the advanced radar tower
turning in a fenced-in field of no cows. By the raspberry road of Trona,
the Pinnacle Inn is at one end of town,the Nadir Inn at the other.
And nothing living is in between, just the sadness of cactus
growing through the cracks of an old high school basketball court
and a football field without grass, and a dude in full zombie makeup
lurching along the side of the road like a method acting class
gone tragically wrong. It’s hot and cold at the same time,
extreme micro-climates that shift in nanoseconds,
lifeless mountains of straw
then a redonkulous oasis with date palms and elephant ears
and birds like warnings crying.

Nearing Death Valley you can smell the geology,
feel the alluvial fans,
remember the aeons locked in rock
when Papa was a Metaphysical Geologist,
sense the quicksand underneath the salt table
and the elusive Chocolate River
Manson attached gas tanks on his car
('cos Charlie don’t stop for gas)
to find. It’s easy to see
why so much weirdness passes this way;
even aliens, who have no problem
converting sunshine to water, have the same
problems we do when it comes to finding
places free of dune buggies and Winnebagos,
they need a vacation without people too.
We can see their landing strips
and runway lights made of unnaturally angled stone,
the cliffside triangles (the alien yield sign).

In the late afternoon sun you live for, it’s movie time.
We got served with raindrops, and the rainy desert smell.
Skulls along the side of the road
remind us we are going to a place beyond death,
beyond love and mercy.
The rain on the plain falls mainly on 2 Skidoo.
At the first official campsite some nervous campers eye us
like mules, some mobile government meth labs
disguised as “Goldtimers” retreat RVs roll by
the last pay phone on earth. The smell of mkultra bath salts.
We freestyle it, decide to go wildcatting,
head down the washboard road that
leads to Heebee Jeebee Crater.
The raindrops are gentler
than the touch of any finger.
No chairs, propane or ladles
for these intrepid squatting fools,
just a panhandling guitar played on the side of the highway,
a 12-string trained at the Waldorf School,
some Apache drums, a Yaqui rattle, a Navajo flute,
and a recorder of course to attract a Sasquatch.
We had to leave the piano at home
- such brutal choices test one's will to survive.
We practiced the art of mishearing:
Savage Massage and Clown Chakras
became poetries bequeathed to the Gods
as we uncorked the resin of our souls
in an air without ghosts
(just the hovering lights of a nearby alien base).
We all felt our fear but we walked in the dark
to a visualization spot we named reality
we tried to claim if ever so briefly.
The desert gave us a fire in the morning,
sprouts grown in a jar, and the rain
as a blessing. No insects
or jackrabbits for hundreds of miles
 - no way to even pay.

In the dim morning grandeur
we decided to head towards
the center of our fears:
the infamous Scottie's Castle.
I could see the blood dripping
down its bell tower spiral staircase.
We couldn't find the underworld slaves
to free them but we could tear it open
by pulling its sick bell cord
 - veritas vos liberabit.
"Let's follow the road to Scotty's grave," someone said.
"We can put the body on top of the car."
We could smell the ghastly horror by now,
nearly hear the agonized howls,
every inquisition, every torture chamber, every dungeon
compressed into this bizarre but innocuous-seeming complex.
The perfect front to process kidnapped children,
turn them into the ruling class as sex slaves. To the side,
past the Spanish gates and Arabian arches,
thousands of thickly stacked railroad ties,
with no train or road in sight, just a locked entrance
at an endless and inexplicable hypermodern security fence,
with a sign on the gate that from afar seems to read "warm slaves."
It's for the crates they ship the children in, we thought,
but the truth is always murky, it's always so much more
hideous in reality than you can possibly believe,
for that's how they get away with something so big,
so diabolical, so obvious, this rule over all we see and hear
through chaos to destroy people's minds and spirits,
through alchemic creation of impossible conflicts,
hopelessness and addiction to methodically infect
the entire population. We saw a strange pile of wood
nearly fossilized in the middle of this, that looks like
the corpses of Auschwitz. The bells went off, in a sick
out-of-tune tone like no religious song I've ever heard.
The sign on the bell tower said "private residence."
We went up the hill to "Scotti's Grave", to see his
warlock statue, his Satanic credo "don't say nothing"
instead of "don't say anything," "don't explain"
and next to his formal memorial, a kindergarten grave
of fossilized turds like unnatural skulls,
and one word, "Windy,"
for all the sacrificed children. 
There's a cross, of course, at the top.
A crow whirred overhead, directly over me,
so I stayed behind when the others escaped
before the winged monkeys were alerted.
She landed on the cross like a guardian of the undead,
then, making sure I'm watching, swooped
magnificently down to the palm grove below
and disappeared, to show me
they are only fooling themselves
more than they are fooling us, that
even in this most damaged and desperate of
places life can hide, it can't be stopped,
love is the only protection.
The bells infected the air again, the last note sounds
long afterwards like a HAARP wave;
even the birds furiously screamed to blot it out,
and so shifted the energy, even here,
from manifesting its total desire.
I returned to the group as they're conferring with
a blind park ranger and a lady from NASA.
"Don't touch the rocks at La Playa," she said,
"there are transponders on them so we can 
catch them moving." Meaning of course
that they were there to catch us.
When we asked if NASA had put them there
the blind ranger gave us the crazy eye,
asked what kind of car we were driving,
and where did we get it, and said we should expect
to lose at least two tires on the way.
The crow returned as we revved up the engine
to remind me of our lifetimes together, and
that she was keeping watch, as I was watching,
her black iridescent on the parking lot.

We left before we got the glitch chip in our brains.
Despite the desert finches, hummingbirds, butterflies,
the mechanical goat on the hillside, it was
Racetrack Playa dust or bust, we had to
get away from the rat race of Stovepipe Wells.
Even one car passing us was like being in Walmart.
"We won't rescue you from La Playa"
echoed in our ears, as we eyed drone seagulls
and heard the alarm go off in the distance
to put air defense on high alert for us
because we weren't driving a Ford Sabotage.
We saw the rock the crescent moon launches from
and bravely strategized
over frosted cheese loaf sandwiches
("leave nothing behind but footprints and teakettles,"
"no placing bets when we get to the Racetrack")
as we bounced to desert mixes the 571 miles
riding dirty on a Big Chief Runningboard keel haul,
staying strong as they turned on the weather machines,
sending a tropical storm through the Joshua Trees
then, getting desperate, turning on the hail.
The place, when we reached it, had an
absurd inexplicable flatness,
a luminous glow from within.
The sun was only over the Playa,
making it superreal, Kubrickian,
so white it was pink, a creme
brulee of salt, with smoke at its frays
from white dust griffins like wild horse vapor trails,
silver rocks the size of mountains at its edges.
In ecstatic tranquility the original island
(what they now call The Grandstand)
lay in the center, with supercharged rocks
and primordial beach. We had entered
the womb, the earth mother's pussy,
it was here in endless linoleum tiles
the akashic records are kept,
and there was no judgment
for all the suffering and loss, so beautifully
felt on the dry slate. Soft rain caused the seeps
to connect, in the brainscape of the cosmos.
The wonder was not the perfect paths of the rocks
as they move just when no one is looking,
the wonder was that in that maelstrom of wind
the rocks didn't move at all. They were
the male, aligning with female energy,
magnetically, in concentric scrapings
against a truth impossible to bear,
the hieroglyphs of life itself
captured in the salt. Some of us slept,
some of us walked, none of us could say
the thing we felt. We were at
the center of the earth, the pure place
even mkultra couldn't touch.
We were sailing on a sea breeze
through the emptiness of everything
and thinking of only one thing.
"Why do five guys go out all this way
for a woman?"
"That's what we do."
And, again, in her soft soft voice
she then said "you must stop this pandering
and do things for yourselves,
for suchness. That's all we ever want."

Crazy Charlie might have had
a Nazi swastika tattooed on his third eye
and all that but he had a good band
and great visions of the Chocolate River
of which there was still no trace
along the Panta-Breath-Mint ridge,
the strawberry hillsides,
confectionary clouds,
the seven-levels frosted bundt cake mountains,
as we drove gaping chasms
in the crevasses of the earth
to try to veer in even closer
to the sweetest desert,
by the 700-foot tall Mammoth Dunes
made of disappearing dust
in the perfect curvature
of a woman's body. Sand
for five guys roughing it,
and hobo shoe print floor-mats
at its base.We went up
the slow dune lava
to the top, our tracks
reshaping what it was
but no longer is (ah, woman is the wind).
We rolled like whirling dervi down,
and ran backwards like a lost Beatles
"run for your life" film, and by the time
we made it back to camp
we looked like Lawrence of Arabia
asking for lemonade as he emerged from the Rub Al Khali.
As we had our tea and breakfast
of Motherground peanut butter
and Bilderberger Berry Jam
from out of nowhere came an F-16
that stood on its side in mid-air less than 10 feet from us
before sweeping away to some hidden base
in a Jack de Ripper yee-haw cowboy hat roar.
"At last I see my tax dollars at work" I said
to this gentle reminder we were not where we were
supposed to be. The park ranger who stopped by
almost immediately was almost apologetic, almost friendly.
And again there was no way to pay.

We'd been living on medicinal chocolate and Death Valley sprouts.
There were diners and hot springs up ahead we knew,
somewhere beyond the Bristlecone Pines,
the mountains glass-stained holy white,
the river that once was a sea where we measured
and recorded a sasquatch poop.
We found a tectonic blue plate special hot food
in the Giggle Springs Mini-Mart,
near the "mule capital of the world."
Sacajawea served us strawberry and rhubarb pie.
I wanted to ask to touch her.
Then the throbbing metropolis of Bishop
with its rodeo stadium, Vagabond Inn,
Choo Choo Swap Meet at the Railroad Museum,
Paiute Palace Gas and Casino,
of dark plush wierdness, real Indian croupiers
and customers counting Indians on the machines.

Blaine whistled "Paint It Black" as high lonesome
theremin dune blues. Robert said "Rare Brare Rarebit"
in Baltimorese on English as second-language headphones.
Russell regaled us with squatching stories
of how they sometimes dive in bear-proofed dumpsters
but they mostly eat deer liver because it's good for the eyes.
Jesse talked about his only pair of socks, one dress
and the other cookie monster - "I even took them to jail."
As for me I just did what I do,
melding my mind with a passing Airstream.
It was clear as we passed Convict Lake Resort
(3 1/2 star facility with turnkey service according to prisoner reviews)
and the Prison Outlet Store
that we'd left Desert Woman
and were nearing Mountain Man.

We found a place we'd need a rental dog for,
with a self-loathing Scandanavian dark sauna,
where we talked about stealing the keys to our wildman cages
when the Mother was so far away,
and played love songs to caterpillar greasewood 
on digiradoo kazoos, manifesting
the Kalamazoo New Kazoo Canoe Revue.

In the Death Valley Daze Ronnie and Snoop had become fast friends
and on the long lonesome road to Rodee-Bodie-O
had disappeared in a blunt skunk haze into Mexico:
"Whell, you talk to Nancy Snoop and say we'll be late for lunch"
"Put yo trippin' bitch in check, niggah."
We contemplated swimming in Battery Acid Lake
where you might lose your leg and all,
but the kids are now cutting off their legs
'cos it's cool to be a hookfoot,
it's like a tattoo as a weapon.
The lake was pewter blue, with a strange crystaline stillness,
calcium spires that grew and breathed and were
for all intents living, even human, and below
an eco-system of incredible importance:
alkaline bacteria eaten by alkaline algae
eaten by alkaline shrimp eaten by alkaline flies
(or as they said in Baltimore, "Al Kaline flies!")
eaten by normal horned larks and sage thrashers
in rust where the flies dance in suchness.
Just then a snooty Prius came along
with picture-taking zombies inside
to condemn Mono Lake as an anamoly
instead of floating in the saline salve of the mother.

Then Dream Mountain Drive, where we felt,
as Nero said "at long last I can live like a human being!"
And Silver Lake beyond the veil, in cold tar mud,
with dreamcatcher visions amid visionboard scenes,
and the name "Cal Ripken" carved on a tree.
And Rainbow Street where the late sun made it clear:
nature offers nothing more, nothing less,
still we judge ourselves for what we have.
And, as if to turn that incandescent afternoon into physical fact
we turn into an obsidian mountain, the black loving mother
from deep in the earth shining like the sun
in smooth compassion, glossy unrelenting love.

And then we went back, just like that
at the Ranch House Cafe in Olancha,
the scene of the water stolen by LA crime,
for Indian fry bread and a sign on the door:
"Wanted: Saw Dust Charlie, the Pockmarked Kid,
the expense of said capture to be borne
by one hundred substantial citizens,"
and the waitress from Texas was told us
as we left: "drive safely and take care
of your women."

Despite roadside dignitaries
like Hot Creek Hatchery and the Lava Girls
the only tree for miles was a rusted fake
by a lone Southern Pacific railroad car
in the sand outside of Inyokern,
where we picked up K-MKUltra's transmission
like a long-extinct star still shining its sun upon us
"coming at all you Death Valley alters
'My Guitar's Gonna Kill Ya Momma'
by Frank Zappa for Mother's Day before we
count ALL the way down to our all-time top-five hits:
'American Pie,' 'All Along the Watchtower,' 'Hotel California,'
'Every Breath You Take,' and, at number one with a Manchurian
bullet, 'Whiter Shade of Pale.'"
Then, like a bomb, Johanesburg,
its "knife shop and casino," "Guns4us", "Jberg Junque,"
dead gas station lots, flashing glass in the sand,
"homes for sale," a blank billboard for rent
(we wanted to put "MORE COWBELL" on it),
a "senior pot luck supper" in a teal Route 66 camper;
everything dissolves here like a boiled peanut
in a bottle of sweet Coca-Cola. Snoop is slumped
way down in the seat, amid imagined billows
of cannibis cloud eating twizzlers.
There's no time-bender button in our Chevy Vortex
just more road by stone-hard sand;
the Black Hole Sun Solar Collector Facility,
the battery for the Matrix, and a "Cactus Shop"
by the transistor circuitry. Then the Joshua Trees
began: the shiva brush trees, ti chi windmill trees,
stretching gymnast trees, pom-pom cheerleader trees,
edward scissorhand trees, universal restroom symbol
trees, Musso and Frank's hatrack trees, Leonardo
di Vinci man on fire trees, praise Jesus trees,
dancing children trees, flying Nike trees, shrieking fencepost
trees, crouching monkey funhouse chickens trees,
laughing squirrel porqupine quill condenser coil trees,
then Adelanto, "the city with unlimited possibilities,"
like, I guess, the Big Rig Tire Shop, the Federal Penitentiary
and Garbage Smelting Center, the look on everyone's face
for an alternative to the governing reality of hopelessness
on this stretch between long kitty litter highways,
but then, on Mother's Day, in the middle of the desert,
we saw a 20-foot statue of our patron saint Quan Yin,
the Goddess of Compassion, "be kind to your women."
Then Victorville, another parking lot, another crow,
as we cleaned out the "all-natural" GMO imitation snacks
only to encounter on the way out a Coyote Dog
that drank goat's blood and licked Jesse's hand,
who saw that was living his dream: a pick-up truck,
coyote dog, and a gun, with the Mexican jumping bikes
derby nearby, every weekend.

Down the bad hills of San Berdu
there was crystaline suchness
but it was 98 degrees in Rivertucky -
we went to Death Valley to get away
from the heat (that's how we roll),
team Savage Messiah, secret
artist heart, learning how
we are the change.

Tuesday, May 28, 2013

Tuesday, April 30, 2013

Off the Grid

To whoever it concerns, I will be wild-catting at the Racetrack Playa and other remote Inyo County locations for the next three weeks. I will return your call with new transmissions when I return.

Return with a Purple Heart

The bewitchment begins
Instantaneously,
With turquoise sand,
Those mountains without trees,
Those glassy lakes
Without water,
The quarries uncut
And the rivers of stones,
The patterns beyond any form
Of plant, animal, man -
A logic less simple
That needs nothing.

Nothing I can share
- Everything was left in the sky.

Friday, April 26, 2013

At The Stillpoint Between Earth and Heaven

The breathing eye
tries to get me to feel
with beautiful flowers
the work of being worthy
of no boundaries.

So you come.

You love the way your hair sweeps
in the density of air
as I love seeing plants
become vibrations,
yet nothing done alone's
not done together.

We are the glaze we see
upon the pond.
There is no limit
to how light I can become,
how deep you feel
the darkness of the earth.

The churches are but
unimportant spires
that cross the ruined brick
of sunlit towns,
the men and women
chasing other realms.

Your kiss becomes a river
filled with all the scents
I've given you
and every move I make
becomes, in you, a ritual,
an opening of doors
to step away.

I must give nothing up
except my will.

I thought it was some trick
to stop my music
but now I know how rocks
broke in my hand
for other reasons
—the music already existed
it was my heart that needed
to be created
behind Las Vegas curtains
inside heaven,
where I tried to feel
what I am feeling now
but how could I know
the cowgirl on the wall
was really you?
Like I see you now
with your own eyes
on a Melrose fire escape.
"Iglesia?" you say
as if my answer
came before,
as if I've yet to lay
down in that
dark hotel room.

The symbols
are now you,
keys that only turn
when doors were opened,
when watching something else
besides the knob.

And now the cops
have waved us through
'cos we're together
the speed traps and the time
and space continuums,
the things love never needed
but I held on to,
to catch that glint that
brought that scent
that sent that taste
that burned that touch
that now is all of me.

I won't go back to feeling without you.

I might not like how
honors
trail behind me
but without them
there is only
eternity...

Sometimes God's light
upon His dream
is so frivolous,
so full of desire,
we stand there gaping
at the houses and yards
as if they are
no longer real.
We become the
purple
that overcomes
the green.

Wednesday, April 24, 2013

Tears for Sereta

It's only the word of God if you believe it to be
but because your heart is endless that part is easy.

It's how nothing can come in between you has you beat.

Earth Day East of the Hudson

So the tulip blossoms fall to their death by St. Aloysius
glowing for a moment
                                     before bright mid-April sunshine
makes the slightest hints of green a portal to heaven,
the purple on the floor like Easter mourners
                                                               outside the void
of the hollow, blackened-out cathedral.

And spring won't even laugh,
its endless flowing like some rope in children's hands,
turning all that we remembered
                                                      leaf by leaf
            to something new,
                                           the emptiness of music.

So much that we do, as humans, is indigestable:
our thoughts of predators
                                           are in our water,
our wasted nervous energy
                                              blows through our air,
but somehow, we cannot believe
the earth that always comforts us
                                     cannot release what's stuck.

The fish are coming back
                                           to Antarctica,
the whales are going home because they do not need
                                to feel our pain any more.
New alphabets are forming,
                as always with our hearts to pick out words
from an apple tree that keeps on growing.

Tuesday, April 23, 2013

My Mother Earth News

The stars are arranged on the lawns.
Heaven is inside my blood.

I no longer need to be carried on celebrity's shoulder.

Monday, April 22, 2013

For Blaine on His Birthday

Anyone can put clowns where they don’t belong, you lug pianos
to the side of roads
          where hitchhikers thumb rides
                          in sight of the federal prison,
to the North Pole, where letters to Santa Claus
          are finally addressed by bureaucrats
                         with threatening notes to children,
to corporate boardrooms where men with paste-on mustaches
          demonstrate points by flicking a whip
                          to dislodge the cigarette from the secretary’s lips,
to wherever there’s a wooden cigar store Indian,
         wherever diner bread is broken,
                          and wherever eggs benny is served.

All this is miraculous enough, but your true gift is in no one noticing
        the pianos are missing
                          from the finest jazz clubs
                                                                    you’ve squirreled them from
        with your invention that no one’s yet seen.

“Dada must be lived,” you always say, by way of explanation, but still
         you’re gracious enough to call at your latest dark nyet of the soul,
full of meta-amphetamines and pantomimes
        and pound cake and bad coffee about 3 am
                          when Flo in the Dark, yer all-nite radio dominatrix,
                                              has got you tongue-tied.

Trying to keep it real compared to Watts.

But more often than not, after hearing one of my 25 minute rants 
        about, say, the lack of cactus East of the Mississippi,                   
        or how I almost took the train to Poughkeepsie on your account,
                                             before I remembered the yellow mustard
                                                        on the submarine sandwees,
                         and I remembered the blue meanies, and was afraid,
              you make me feel that every occult detail I’d shared with you
   was important enough to avoid any mention of the reality of its truth
except for all your usual, wistful questions:

        Have you considered the benefits of a small rabid pet?
        Would you happen to know the bridge to Kwai Me a Wiver?
        Is a purple spraypainted rat wearing an eyepatch some sort of
                omen?
        Did I mention the tomatoes were canned?
        Well gee boss, why you gotta go an say a thing like that before?
        Can I get that with a pigeon pie, some Blackened Alibi, served with
                sauteed okra and air of mystery, and ah the Harvey, smoked
                rabbit dressed in a nice rich velveteen suit with matching
                smoking slippers, served in a black tophat, with a side of half-
                eaten fries and an Ethel Merman impersonation?
        Did I ever tell you about the time Frank Sinatra saved my life?

Then you’d produce a photo of you and Frankie shaking hands,
              and that would be enough.
                                                             It would always be enough.

Or I’d complain bitterly about people playing recorders in the wide-open
       spaces instead of an honest wood flute,
              calling out our favorite squatcher as an example.
You wouldn’t say anything, with your look of concern like this was
       the most urgent thing in the whole world,
              but a few days on, I’d receive a faded newspaper clipping
                           – about how sasquatches are strangely attracted to
                                                            the sound of a recorder.
Is it one of your hoaxes become real or the real becoming a hoax?
                          Who knows or cares.
                                                            The Dada is alive.

You wear the bowler’s hat befitting your stature
         as an entrepreneur of magic
               but your eyes do give away a guilty glint
                         of a certain charlatan charm.
But there was that time we talked reality off the ledge
         through deep-fried summer woods
                                                                      when suddenly,
there were marimbas waiting for us at the side of the trail,
                                                                      and you would smile
                          for what I think is the first time,
        despite the reporter who immediately appeared to question us,
for here was a theoretical universe that was worthy of you, that you
        didn’t have to create
                         out of pipe cleaners and flasks of ovaltine.

Saturday, April 20, 2013

Lyrics: Borrowed Love

Did the waves ever get what they came for?
Did the sand really lose any ground?
They left with what they had and nothing more,
There was no answer in that roar of sound.
We borrowed love to serve our purposes
Not knowing it could never be returned.

We watched the surfers walk upon the water
And heard the children sing of other worlds
But never could we put it all together
Through different eyes they seemed to be so plural.
I learned to use your eyes to look at you.
I used to not exist but now I do.

Maybe I will fall in love someday
And feel the moon possess me in its way.
Maybe there’s one star out there to see
That’s clear enough the lover can be me.

I love you more now that you are not real.
I hold you in my heart now that you’re gone.
I need your kiss now that it cannot heal.
I cherish all we shared now I'm alone.
The world is in my hand but I’m not free,
I’d rather give it back than have the right to be.

Poetism

Poetry is a net
so we can say we have one

Friday, April 19, 2013

Trying to Forget My Idea for Vietnamese Baseball and You

In mourning morning fog
when even birds are down below
the cherry trees that flower in the graveyard
call us to salute them
                                     as if they'd die
without our response
                                     not just their beauty.

We do not know, somehow,
this magic show of green
is how it is supposed to be,
there is no time
                            to end in
as there's no time
                            when sleeping.

And growing never ends,
the reaching for the one within all life.
At some point we must go there alone.

Thursday, April 18, 2013

Notes While Waiting for the Knock on the Door

Meme me up Scotty there's a tempest in the bean pot, a Mass-Casualty Incident in Massachusetts (god bless you), one could call it a Mass-panic, Mass-acre, or even a Mass-querade, this Boston Terror-thon, a dirty o-bomb-sniffing yellow dog with blue balls bearing through the walls on the twilight's code red finish line, the false flag that didn’t hunt, the lone wolf pulling the willies over the red, white and blues of the sheeple’s eyes, the dog without a drone who ate the lambskin bill of rights homework with a cell-phone, at the “it’s only a drill” remote-controlled-explosion pressure-cooker of a photo finish, receptacles of fire played by Terror-Vangelis, a Greece-fire smoke-filled Cyprus room to jog our memories on the Oklahoma City and the Waco Anniversaries. Who will it be? The tea party patsy on saint patriot’s day (in a grey hoodie) or the ex-pat Saudi National “dark-skinned male” with multiple black backpacks and passports and a hillbilly’s smokebomb-making skills? Either way, the Gym Fixx is in, on Tax Day in Taxachusetts (god bless ewe), where the Sandy Hook kid was never killed, the marriage never proposed, the additional unexploded devices never disposed of, the 12 people never murdered, the Saudi National dark-skinned male never arrested. Instead, a Vox Publica Castor and Pollux stamp of disapproval as sweet as Tupelo ricin beans was sent to the suddenly syrius man behind the Terror-prompter curtain waving a smoking backpack and doffing his tin-foil black hat without any ricin-able explanation. There are HAZMAT crews in Saginaw, quarantines in Beloit, three cars in a hole in Chicago, and in Boston (lettuce prey) the Moakley courthouse is now flooded and the wounded have been medi-hoovered from the cold blood code red Peter Bent Brigham Hospital, as a fertilizer plant near Waco exploded (dozens killed), and the earth suspiciously quaked near the Oil-Opium border (hundreds killed). Ah, but our eyes are fixed like muskets on massholy Maskachusetts (god bless you), watching the Lord & Taylor surveillance camera for shoplifters instead of asking about the Navy Seals with wires and skulls and multiple black backpacks, hearing “is it safe…is it safe?” from Governor Devil in the Details instead of asking who is Silk Tork and Yohanan Danino and what kind of sick, twisted fuck would send such James Bond villians here? Ask not why the bomb went off in the library, ask why the library went off with the bomb! We want this all to go away so much we don’t notice that Boston’s in lock-down now like Manhattan after 9/11 never was. Americans are such irremediable wusses – this is a Boston cream pie compared to a drone strike, and we can’t even handle a morning of it without crying Uncle to Sam for protection, for our sense of fun and games has been rudely disrupted and we’re scared, they tell us, scared, and when that happens, certain people can do anything, and anyone can be guilty, even you.

Wednesday, April 17, 2013

In Lieu of Dreaming

I followed Jesus around Europe last night,
chilling on metal with German morticians,
filling prescriptions for piety with French pharmacists,
watching Scottish beekeepers argue with elves.
He said things like "drinking coffee is like kissing God"
and "Hungarians really get the importance of a violin to food"
without breaking that beatific smile, which he also kept as he freed
countless people over the course of a long and yellow night
from ancient jails of guilt, remorse and terror.

But morning came, the bars closed again,
the church swept all the prisoners back in,
and before returning to bed for a few precious z's
I saw Jesus again on a bridge in Trieste
with the morning light periwinkle right.
So patient he tried to teach me the secret
of hocking a surgical looger.

Tuesday, April 16, 2013

Because I’m Not Allowed to Talk to Children


The pain begins. It’s always
                                               in somebody
                            else’s
               face
first.
        I want to be
                            unhappy
like that couple
                            clinging
                                         desperately
and serve my children
                                     safety in the
       endless woods.

Here too far North
                                for the graffiti
they can make like
                                there are standards
                                                                 still
and towns, and I
                             fall into their spell
                                                            so readily—
I cheer for sons
                          who cannot throw the ball
pull daffodils for daughters
                                                who no longer
                          tolerate ballet
                                                 to get an ice cream cone.

I hear the explanations
                                       —everything that’s lost
                  from father’s mouth to son,
and see kids in
                  sharp dominance of voice
because there’s only
                                     so much pride
                 and adoration
to go around.

But then, amid the ducks
                                           and keening bleachers
I hear some parents talk
                                         of dismal holidays
because the rainbow
                                  canyons
                                                  and waterfalls
                 like emeralds
       could not be shared.

Their voices lower as I walk by
                                                     and despite the trickling
of the stream, the shush
                                         of distant motors
there’s still some
                             solitary thing, some
breathing.

Monday, April 15, 2013

The Need to be Watched,
and Reminders I Am

Intelligent dust—
                              bobbing,
                                             to the birdsong,
interpreting the information
                                               from the rocks
who articulate the water
                                         pulsing
                                                     through them
—maybe no more intelligent
                                                than us
but willful, as we are,
                                    who hear
                                                     marimbas
in the stream,
                        but to them...

who have no problem
                                     dissolving in aetherial waves
it's natural to know that birds
                                                 are testing out melodies
along electric wavelengths
                                             of the spheres where music is,

and even the paper trees
                                          crackle in the orchestra
and things drop to the moss
                                                and whistle through the leaves
on a score that we can't read
                                                 by the rivulets of water like
some Austrian composer
                                          who rides his charges hard
because the sound it makes
                                               is true.

The train
                in full human cry
                                              decides then to come through
but it's silent
                      in the teething of the wind
and all its hidden
                             being.

I have nothing here;
                                   I'm allowed only eyes.
Squirrels paint
                         friezes of the trees.
Forsythia cleans
                            the early evening sun.

What was not there suddenly
                                                  is,
the world of skunk cabbage
                                               and daffodils
—enough of a world—
                                      turns
to allow a moment of grace:
                                               everything
is metaphor.

Sunday, April 14, 2013

Thoughts on a Spring Day

Scientists say the varian nebula cloud
would smell just like hyacinths
(with a note of cinnamon)
if you could somehow walk through it.

Why, then, can't I get the scent of flowers out of my phone?
Are they that afraid of our poetry?

I won't settle for less than total sensory communication:
you being able to feel exactly what I smell
out of this smarty-pants device!

Shut NASA down for awhile if you have to,
I need this app to happen.